Directions: Read the following passage carefully and then translate each underlined part into Chinese. Desertification in the arid United States is flagrant. Groundwater supplies beneath vast stretches of land are dropping precipitously. Whole river systems have dried up; others are chocked with sediment washed from denuded land. 71. Hundreds of thousands of acres of previously irrigated cropland have been abandoned to wind or weeds. Several million acres of natural grassland are eroding at unnaturally high rates as a result of cultivation or overgrazing. All told, about 225 million acres of land are undergoing severe desertification. 72. Federal subsidies encourage the exploitation of arid land resources. Low-interest loans for irrigation and other water delivery systems encourage farmers, industry, and municipalities to mine groundwater. Federal disaster relief and commodity programs encourage arid-land farmers to plow up natural grassland to plant crops such as wheat and, especially cotton. Federal grazing fees that are well below the free market price encourage overgrazing of the commons. The market, too, provides powerful incentives to exploit arid land resources beyond their carrying capacity. 73. When commodity prices are high relative to the farmer’s or rancher’s operating costs, the return on a production-enhancing investment is invaribly greater than the return on a conservation investment. And when commodity prices are relatively low arid land ranchers and farmers often have to use all their available financial resources to stay solvent. 74. If the United States is, as it appears, well on its way toward overdrawing the arid land resources then the policy choice is simply to pay now for the appropriate remedies or pay far more later, when productive benefits from arid - land resources have been both realized and largely terminated.
Unlike the carefully weighed and planned compositions of Dante, Goethe’s writings have always the sense of immediacy and enthusiasm. He was a constant experimenter with life, with ideas, and with forms of writing. For the same reason, his works seldom have the qualities of finish or formal beauty which distinguish the masterpieces of Dante and Virgil. He came to love the beauties of classicism, but these were never an essential part of his makeup. Instead, the urgency of the moment, the spirit of the thing, guided his pen. As a result, nearly all his works have serious flaws of structure, of inconsistencies, of excesses and redundancies and extraneities. In the large sense, Goethe represents the fullest development of the romanticist. It has been argued that he should not be so designated because he so clearly matured and outgrew the kind of romanticism exhibited by Wordsworth, Shelley, and Keats. Shelley and Keats died young; Wordsworth lived narrowly and abandoned his early attitudes. In contrast, Goethe lived abundantly anti developed his faith in the spirit, his understanding of nature and human nature, and his reliance on feelings as man’s essential motivating force. The result was all-encompassing vision of reality and a philosophy of life broader and deeper than the partial visions and attitudes of other romanticists. Yet the spirit of youthfulness, the impatience with close reasoning or "logic-chopping," and the continued faith in nature remained his to tile end, together with an occasional waywardness and impulsiveness and a disregard of artistic or logical propriety which savor strongly of romantic individualism. Since so many twentieth century thoughts and attitudes are similarly based on the stimulus of the Romantic Movement, Goethe stands as particularly the poet of the modern man as Dante stood for medieval man and as Shakespeare for the man of the Renaissance. The title that best expresses the main idea of this passage is ______.
A. Goethe and Dante
B. The Characteristics of Romanticism
Classicism versus Romanticism
D. Goethe, the Romanticist