Directions: Read the following passage carefully and then translate each underlined part into Chinese. Desertification in the arid United States is flagrant. Groundwater supplies beneath vast stretches of land are dropping precipitously. Whole river systems have dried up; others are chocked with sediment washed from denuded land. 71. Hundreds of thousands of acres of previously irrigated cropland have been abandoned to wind or weeds. Several million acres of natural grassland are eroding at unnaturally high rates as a result of cultivation or overgrazing. All told, about 225 million acres of land are undergoing severe desertification. 72. Federal subsidies encourage the exploitation of arid land resources. Low-interest loans for irrigation and other water delivery systems encourage farmers, industry, and municipalities to mine groundwater. Federal disaster relief and commodity programs encourage arid-land farmers to plow up natural grassland to plant crops such as wheat and, especially cotton. Federal grazing fees that are well below the free market price encourage overgrazing of the commons. The market, too, provides powerful incentives to exploit arid land resources beyond their carrying capacity. 73. When commodity prices are high relative to the farmer’s or rancher’s operating costs, the return on a production-enhancing investment is invaribly greater than the return on a conservation investment. And when commodity prices are relatively low arid land ranchers and farmers often have to use all their available financial resources to stay solvent. 74. If the United States is, as it appears, well on its way toward overdrawing the arid land resources then the policy choice is simply to pay now for the appropriate remedies or pay far more later, when productive benefits from arid - land resources have been both realized and largely terminated.
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长期以来,科学同艺术之间的双边关系一直是剃头担子一头热:科学热恋着艺术,艺术却拒科学于千里之外。 许多大科学家一生钟爱艺术,且懂艺术,从中汲取养料,善养浩然之气,或得到人生的极大安慰。相反,文学艺术家则绝少有热爱、理解自然科学和工程技术世界的。 我们的艺术家对自然科学家望而生畏,敬而远之,原因之一是里面有一大堆高深的数学公式。其实,撇开数学,绕过那一大堆深奥的东西,一门学科的基本思想还是可以被我们理解、欣赏的,这恰如我们虽然看不懂莫扎特乐曲的总谱,却照样能同它的主旋律发生共鸣,击节称赞。
Unlike the carefully weighed and planned compositions of Dante, Goethe’s writings have always the sense of immediacy and enthusiasm. He was a constant experimenter with life, with ideas, and with forms of writing. For the same reason, his works seldom have the qualities of finish or formal beauty which distinguish the masterpieces of Dante and Virgil. He came to love the beauties of classicism, but these were never an essential part of his makeup. Instead, the urgency of the moment, the spirit of the thing, guided his pen. As a result, nearly all his works have serious flaws of structure, of inconsistencies, of excesses and redundancies and extraneities. In the large sense, Goethe represents the fullest development of the romanticist. It has been argued that he should not be so designated because he so clearly matured and outgrew the kind of romanticism exhibited by Wordsworth, Shelley, and Keats. Shelley and Keats died young; Wordsworth lived narrowly and abandoned his early attitudes. In contrast, Goethe lived abundantly anti developed his faith in the spirit, his understanding of nature and human nature, and his reliance on feelings as man’s essential motivating force. The result was all-encompassing vision of reality and a philosophy of life broader and deeper than the partial visions and attitudes of other romanticists. Yet the spirit of youthfulness, the impatience with close reasoning or "logic-chopping," and the continued faith in nature remained his to tile end, together with an occasional waywardness and impulsiveness and a disregard of artistic or logical propriety which savor strongly of romantic individualism. Since so many twentieth century thoughts and attitudes are similarly based on the stimulus of the Romantic Movement, Goethe stands as particularly the poet of the modern man as Dante stood for medieval man and as Shakespeare for the man of the Renaissance. The title that best expresses the main idea of this passage is ______.
A. Goethe and Dante
B. The Characteristics of Romanticism
Classicism versus Romanticism
D. Goethe, the Romanticist
A little more than a century ago, Michael Faraday, a noted British physicist, managed to gain audience with a group of high government officials, to demonstrate an electrochemical principle, in the hope of gaining support for his work. After observing the demonstration closely, one of the officials remarked bluntly, "It’s a fascinating demonstration, young man, but just what practical application will come of this" "I don’t know," replied Faraday, "but I do know that 100 years from now you’ll be taxing them." From the demonstration of a principle to the marketing of products derived from that principle is often a long, involved series of steps. The speed and effectiveness with which these steps are taken are closely related to the history of management, the art of getting things done. Just as management applies to the wonders that have evolved from Faraday and other inventors, so it applied some 4,000 years ago to the workings of the great Egyptian and Mesopotamian import and export firms...to Hannibal’s remarkable feat of crossing the Alps in 218 B.C. with 90,000 foot soldiers, 12,000 horsemen and a "conveyor belt" of 40 elephants...or to the early Christian Church, with its world-shaking concepts of individual freedom and equality. These ancient innovators were deeply involved in the problems of authority, division of labor, discipline, unity of command, clarity of direction and the other basic factors that are so meaningful to management today. But the real impetus to management as an emerging profession was the Industrial Revolution. Originating in 18th-century England, it was triggered by a series of classic inventions and new processes, among them John Kay’s Flying Shuttle in 1733, James Hargreaves’ Spinning Jenny in 1770, Samuel Crompton’s Mule Spinner in 1779 and Edmund Cartwright’s Power Loom in 1785. Management came into its own ______.
A. in the Egyptian and Mesopotamian import and export firms
B. in Hannibal’s famous trip across the Alps
C. in the development of tile early Christian Church
D. in the eighteenth century
A little more than a century ago, Michael Faraday, a noted British physicist, managed to gain audience with a group of high government officials, to demonstrate an electrochemical principle, in the hope of gaining support for his work. After observing the demonstration closely, one of the officials remarked bluntly, "It’s a fascinating demonstration, young man, but just what practical application will come of this" "I don’t know," replied Faraday, "but I do know that 100 years from now you’ll be taxing them." From the demonstration of a principle to the marketing of products derived from that principle is often a long, involved series of steps. The speed and effectiveness with which these steps are taken are closely related to the history of management, the art of getting things done. Just as management applies to the wonders that have evolved from Faraday and other inventors, so it applied some 4,000 years ago to the workings of the great Egyptian and Mesopotamian import and export firms...to Hannibal’s remarkable feat of crossing the Alps in 218 B.C. with 90,000 foot soldiers, 12,000 horsemen and a "conveyor belt" of 40 elephants...or to the early Christian Church, with its world-shaking concepts of individual freedom and equality. These ancient innovators were deeply involved in the problems of authority, division of labor, discipline, unity of command, clarity of direction and the other basic factors that are so meaningful to management today. But the real impetus to management as an emerging profession was the Industrial Revolution. Originating in 18th-century England, it was triggered by a series of classic inventions and new processes, among them John Kay’s Flying Shuttle in 1733, James Hargreaves’ Spinning Jenny in 1770, Samuel Crompton’s Mule Spinner in 1779 and Edmund Cartwright’s Power Loom in 1785. A problem of management not mentioned in this passage is ______.
A. the problem of command
B. division of labor
C. control by authority
D. competition