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海洋性贫血（）
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Mr. Fern was born in a big city. His father owned several companies and earned a lot of money. He could give his son all the young man wanted. He was busy with his business and never asked him how he got along with his studies. So the boy spent most time in the restaurants or cinemas. Of course he was not good at his lessons and learned nothing at school. He made many friends but none of them was good and when they knew he came from a rich family, they began to teach him to gamble(赌博). Of course he lost much money.Now Mr. Fern was twenty and finished middle school. He could do nothing. But his father didn’ t mind it until one day he found the young man had sold one of his companies. He became so angry that he made him leave his house. The young man couldn’ t gamble any longer. His friends made him pay his debt. He had to ask his mother to help him and the woman often gave him some money. But one evening his father happened to find it. The old man stopped his wife from doing so. They began to fight in the room. The young man brought out a knife and killed Iris father. His mother helped him run away, but soon after that he was caught and sentenced(判刑)to death.It was a cold and wet day. Suddenly it began to rain heavily when Mr. Fern was being sent to the execution ground(刑场). Soon he and the soldiers were wet through. He said angrily, "Bad luck! I shall be shot in such bad weather !""Don’t complain(抱怨), brother," said one of the soldiers. "You’ re luckier than us all. We’ll have to go back to the city after that!\ Old Fern never wanted to know about his son’s studies because ().
Sports and SexesIn sports the sexes are separate. (36) and men do not run or swim in the same races. Women are less strong than men. That (37) is (38) people say. Women are (39) "the weaker sex", or if men want to please them, "the fair sex". But boys and girls are taught (40) schools and universities. There are women (41) are famous prime ministers, scientists and writers. And women live longer than men. (42) European woman can expect (43) until the age of 74; a man only until he is 68. Are women’s bodies really weaker The fastest men can run a mile in (44) 4 minutes. The best women need 5 minutes. Women’s times are always slower than (45) , but some facts are a surprise. Some of the (46) women swimmers today are girls. One of them swam 400 metres (47) 4 minutes and 21.2 seconds when she was only 16. The first "Tartan" in films was (48) Olympic swimmer, Jonny Weissmuller. His fastest 400 metres was 4 minutes and 59.1 seconds, (49) is 37.9 seconds (50) than a girl 50 years later! This does not mean that women are (51) men (52) . Conditions are very different now, and sport is much (53) serious. It is (54) serious that some women are given hormone injections. At the Olympics a doctor has to check (55) the women are really women or not. It seems like that sport has many problems. Life can be very complicated when there are two separate sexes. 48().
"I want to criticize the social system, and to show it at work, at its most intense." Virginia Woolf’s rovocative statement about her intentions in writing Mrs. Dalloway has regularly been ignored by the critics, since it highlights an aspect of her literary interests very different from the traditional picture of the "poetic" novelist concerned with examining states of reverie and vision and with following the intricate pathways of individual consciousness. But Virginia Woolf was a realistic as well as a poetic novelist, a satirist and social critic as well as a visionary: literary critics’ cavalier dismissal of Wooff’s social vision will not withstand scrutiny. In her novels, Woolf is deeply engaged by the questions of how individuals are shaped (or deformed)by their social environments, how historical forces impinge on people’s lives, how class, wealth, and gender help to determine people’s fates. Most of her novels are rooted in a realistically rendered social setting and in a precise historical time. Woolf’s focus on society has not been generally recognized because of her intense antipathy to propaganda in art. The pictures of reformers in her novels are usually satiric or sharply critical. Even when Woolf is fundamentally sympathetic to their causes, she portrays people anxious to reform their society and possessed of a message or program as arrogant or dishonest, unaware of how their political ideas serve their own psychological needs. Her Writer’s Diary notes:" the only honest people are the artists." Whereas "these social reformers and philanthropists".., harbor.., discreditable desires under the disguise of loving their kind .... Woolf detested what she called "preaching" in fiction, too, and criticized novelist D. H. Lawrence (among others)for working by this method. Woolf’s own social criticism is expressed in the language of observation rather than in direct commentary, since for her, fiction is a contemplative, not an active art. She describes phenomena and provides materials for a judgment about society and social issues: it is the reader’s work to put the observations together and understand the coherent point of view behind them. As a moralist, Woolf, works by indirection subtly underufining officially accepted mores, mocking, suggesting, calling into question, rather than asserting, advocating, bearing witness: hers is the satirist’s art. Woolf’s literary models were acute social observers like Chekhov and Chaucer. As she put it in The Common Reader, "It is safe to say that not a single law has been framed or one stone set upon another because of anything Chaucer said or wrote; and yet, as we read him, we are absorbing morality at every pore." Like Chaucer, Woolf chose to understand as well as to judge, to know her society root and branch--a decision crucial in order to produce art rather than polemic. Which of the following would be the most appropriate title for the passage
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