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下列说法正确的是______。
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By the mid-sixties, blue jeans were an essential part of the wardrobe of those with a commitment to social struggle. In the American Deep South, black farmers and grandchildren of slaves still segregated from whites, continued to wear jeans in their mid-nineteenth-century sense; but now they were joined by college students-black and white-in a battle to overturn deeply embedded race hatred. The clothes of the workers became a sacred bond between them. The clothing of toil came to signify the dignity of struggle. In the student rebellion and the antiwar movement that followed, blue jeans and work shirts provided a contrast to the uniforms of the dominant culture. Jeans were the opposite of high fashion, the opposite of the suit or military uniform. With the rise of the women"s movement in the late 1960s, the political significance of dress became increasingly explicit; Rejecting orthodox sex roles, blue jeans were a woman"s weapon against uncomfortable popular fashions and the view that women should be passive. This was the cloth of action; the cloth of labor became the badge of freedom. If blue jeans were for rebels in the 1960s and early 1970s, by the 1980s they had become a foundation of fashion-available in a variety of colors, textures, fabrics, and fit. These simple pants have made the long journey "from workers" clothes to cultural revolt to status symbol." On television, in magazine advertising, on the sides of buildings and buses, jeans call out to us. Their humble past is obscured; practical roots are incorporated into a new aesthetic. Jeans are now the universal symbol of the individual and Western democracy. They are the costume of liberated women, with a fit tight enough to restrict like the harness of old-but with the look of freedom and motion. In blue jeans, fashion reveals itself as a complex world of history and change. Yet looking at fashions, in and of themselves, reveals situations that often defy understanding. Our ability to understand a specific fashion-the current one of jeans, for example-shows us that as we try to make sense of it, our confusion intensifies. It is a fashion whose very essence is contradiction and confusion. To pursue the goal of understanding is to move beyond the actual cloth itself, toward the more general phenomenon of fashion and the world in which it has risen to importance. Exploring the role of fashion within the social and political history of industrial America helps to reveal the parameters and possibilities of American society. The ultimate question is whether the development of images of rebellion into mass-produced fashions has actually resulted in social change. By saying "jeans call out to us",(Lines 1-2, Para. 5) the author implies that______.
某甲见有老人在街上独自行走，就冲上前去抢过老人的包就跑，但因用力过猛，将老人带倒在地，并撞在一尖石上。老人因流血过多抢救无效死亡。某甲的行为应以______处理。
甲将一只壶的壶底落款“民國叁年”磨去，放在自己的古玩店里出卖。某日，钱某看到这只壶，误以为是明代文物。甲见钱某询问，谎称此壶确为明代古董，钱某信以为真，按明代文物交款买走。又一日，顾客李某看上一幅标价很高的赝品，以为名家亲笔，但又心存怀疑。甲遂拿出虚假证据，证明该画为名家亲笔。李某以高价买走赝品。请回答下列问题。 关于甲对李某是否成立诈骗罪，下列选项正确的是：
张杨是某国有银行职工。2009年12月12日，张杨到自己所在的办公室，用预先模制的钥匙打开库管员林某的保险柜，盗走已兑付并盖有“付讫”章的面值21万元的国库券。然后在家中将国库券上的“付讫”章清洗掉。同年12月24日、25日在多个储蓄所兑换了8万多元。张杨的行为构成______。
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