题目内容
Questions 57 to 60 are based on the following passage:I don’t know how I became a writer, but I think it was of a certain force in me that I had to write.And that force finally burst through and found a channel. My people were of the working class. Myfather, a stone-cutter, was a man with a great respect for literature. He had a tremendous memory,and he loved poetry. The poetry that he loved best was naturally of the rhetorical kind. Neverthelessit was good poetry--Hamlet’s soliloquy, Macbeth, Mark Antony’s "Funeral Oration", Grey’s "Elegy",and all the rest of it. I heard it all as a child; I memorized and learned it all.He sent me to the state university.The desire to write, which had been strong during all my days in high school, grew stronger still.I was editor of the college paper, the college magazine, etc., and in my last year or two I was amember of a course in playwriting which had just been established. I wrote several little one actplays, still thinking I would become a lawyer or a newspaper man, never daring to believe I couldseriously become a writer. Then I went to Harvard, wrote some more plays, starting to think that Ihad to be a playwright. After leaving Harvard, I had my plays rejected. And finally in the autumn of1926, I had a moment of literary inspiration that drove me forward to dedicate my life to writing.But I have never exactly been able to determine ail these questions like how, why, or in whatmannen Probably the force in me that had to write at last sought out its channel. I began to write myfirst book in London. I was living all alone at that time. 1 had two rooms---a bed room and a sittingroom in a little square in Chelsea in which all the houses had that familiar, smoked brick andcream-yellow-plaster look. The author believes that he became a wriler mostly because of__
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In every cultivated language there are two great classes of words which, taken together, comprisethe whole vocabulary. First, there are those words 61 which we become acquainted in dailyconversation, which we learn, that is to say, from the 62 of our own family and from our familiarassociates, and which we should knowand use 63 we could not read or write. They concern the common things of life,and are thestock-in-trade (惯用言辞) of all who 64 the language. Such words may be called "popular,"since they belong to the people 65 and are not the exclusive possession of a limited class.On the other hand, our language includes a multitude of words which are comparatively 66used in ordinary conversation. Their meanings are known to every educated person, but there islittle 67 to use them at home or in the market-place. Our first acquaintance with them comes notfrom our mother’s lips or from the talk of our school-mates, 68 from books that we read,lectures that we hear, or the more formal conversation of highly educated speakers who arediscussing some particular 69 in a style appropriately elevated above the habitual level ofeveryday life. Such words are called "learned," and the 70 between them and the "popular" wordsis of great importance to a right understanding of linguistic process.
Questions 57 to 60 are based on the following passage:I don’t know how I became a writer, but I think it was of a certain force in me that I had to write.And that force finally burst through and found a channel. My people were of the working class. Myfather, a stone-cutter, was a man with a great respect for literature. He had a tremendous memory,and he loved poetry. The poetry that he loved best was naturally of the rhetorical kind. Neverthelessit was good poetry--Hamlet’s soliloquy, Macbeth, Mark Antony’s "Funeral Oration", Grey’s "Elegy",and all the rest of it. I heard it all as a child; I memorized and learned it all.He sent me to the state university.The desire to write, which had been strong during all my days in high school, grew stronger still.I was editor of the college paper, the college magazine, etc., and in my last year or two I was amember of a course in playwriting which had just been established. I wrote several little one actplays, still thinking I would become a lawyer or a newspaper man, never daring to believe I couldseriously become a writer. Then I went to Harvard, wrote some more plays, starting to think that Ihad to be a playwright. After leaving Harvard, I had my plays rejected. And finally in the autumn of1926, I had a moment of literary inspiration that drove me forward to dedicate my life to writing.But I have never exactly been able to determine ail these questions like how, why, or in whatmannen Probably the force in me that had to write at last sought out its channel. I began to write myfirst book in London. I was living all alone at that time. 1 had two rooms---a bed room and a sittingroom in a little square in Chelsea in which all the houses had that familiar, smoked brick andcream-yellow-plaster look. We may conclude, in regard to the author’s development as a writer, father
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