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A--Snapshot B--Word Power C--Conversation D--Grammar Focus E--Pair Work F--Role Play G--Group Work H--Class Activity I--Pronunciation J--Listening K--Writing L--Reading M--Interchange Activities N--Additional Optional Activities O--Achievement tests ( )成果测试 ( )两人对话
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Dear friends, Good evening and welcome to our annual Year Awards Banquet. It is such a pleasure to see so many friends here. I am hero to extend a special welcome to all of you. It is, indeed, an honor for me to have the opportunity of introducing our guest speaker for this evening. Professor Charles Stuart enjoys distinguished reputation as a speaker, educator, writer and public relation expert. He often appears as a guest on the Australia’s most popular television and radio interview programs. During his time as professor at the University of Sidney, Professor Stuart is responsible for public relations education. As a matter of fact, he has just returned from a lecture tour in China, where he discussed "trends of international public relations research", which is also his topic this evening. Welcome to Professor Charles Stuart! What do we know about Professor Charles Stuart He enjoys ______ as a speaker, educator, writer and public relation expert.
Perhaps there are far 【B1】 wives than I imagine who take it for 【B2】 that housework is neither satisfying nor even important once the basic demands of hygiene and feeding have been 【B3】 But home and family is the one realm in 【B4】 it is really difficult to shake free of one’’s upbringing and 【B5】 new values. My parents’’ house was impeccably kept; cleanliness was a moral and social virtue, and personal untidiness, visibly old clothes, or long male hair provoked biting jocularity. If that 【B6】 been all, maybe I could have adapted myself 【B7】 housework on an easy-going, utilitarian basis, refusing the moral overtones 【B8】 still believing in it as something constructive 【B9】 it is part of creating a home. But at the same time my mother 【B10】 to resent doing it, called it drudgery, and convinced me that it wasn’’t a fit activity for an intelligent being. I was the only child, and once I was at school there was no 【B11】 why she should have continued 【B12】 her will to remain housebound, unless, as I suspect, my father would not hear of her having a job of her own. I can now begin to 【B13】 why a woman in a small suburban house, with no infants to look after, who does not 【B14】 reading because she has not had much of an education, and who is intelligent 【B15】 to find neighborly chit-chat boring, should carry the pursuit of microscopic specks of dust to the 【B16】 of fanaticism in an 【B17】 to fill hours and salvage her self-respect. My parents had not even the status-seeking impetus to send me to university that Joe’’s had; my mother 【B18】 me to be "a nice quiet person who wouldn’’t be 【B19】 in a crowd" , and it was feared that university education 【B20】 in ingratitude (independence).
Forget what Virginia Woolf said about what a writer needs--a room of one’s own. The writer she has in mind wasn’t at work on a novel in cyberspaee, one with multiple hypertexts, animated graphics and downloads of trance, charming music. For that you also need graphic interfaces, Real Player and maybe even a computer laboratory at Brown University. That was where Mark Amerika--his legally adopted name; don’t ask him about his birth name--composed much of his novel Gramatron. But Grammatron isn’t just a story. It’s an online narrative (gramatron. com) that uses the capabilities of cyberspace to tie the conventional story line into complicated knots. In the four years it took to produce-it was completed in 1997-each new advance in computer software became another potential story device. "I became sort of dependent on the industry," jokes Amerika, who is also the author of two novels printed on paper. "That’s unusual for a writer, because if you just write on paper the ’technology’ is pretty stable." Nothing about Gramatron is stable. At its center, if there is one, is Abe Golam, the inventor of nanograph a quasi mystical computer code that some unmystical corporations are itching to acquire. For much of the story, Abe wanders through Prague-23, a virtual "city" in cyberspace where visitors indulge in fantasy encounters and virtual sex, which can get fairly graphic. The reader wanders too, because most of Gramatron’s 1,000-plus text screens contain several passages in hypertext. To reach the next screen just double-click. But each of those hypertexts is a trapdoor that can plunge you down a different pathway of the story. Choose one and you drop into a corporate-strategy memo. Choose another and there’s a XXX-rated sexual rant. The st0ry you read is in some sense file story you make. Amerika teaches digital art at the University of Colorado, where his students develop works that straddle the lines between art, film and literature. "I tell them not to get caught up in mere plot," he says. Some avant-garde writers--Julio Cortazar, Italo Calvino-have also experimented with novels that wander out of their author’s control. "But what makes the Net so exciting," says Amerika, "is that you can add sound, randomly generated links, 3-D modeling, animation." That room of one’s own is turning into a fun house. Amerika told his students not to ______.
一位海关检查员认为，他在特殊工作经历中培养了一种特殊的技能，即能够准确地判定一个人是否在欺骗他。他的根据是，在海关通道执行公务时，短短的几句对话就能使他确定对方是否可疑；而在他认为可疑的人身上，无一例外地都查出了违禁物品。 以下哪项如果为真，能削弱上述海关检查员的论证 Ⅰ．在他认为不可疑而未经检查的入关人员中，有人无意地携带了违禁物品。 Ⅱ．在他认为不可疑而未经检查的入关人员中，有人有意地携带了违禁物品。 Ⅲ．在他认为可疑并查出违禁物品的入关人员中，有人是无意地携带的违禁物品。
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