题目内容
Like many of my generation, I have a weakness for hero worship. At some point, however, we all question our heroes and our need for them. This leads us to ask: What is a hero Despite immense differences in cultures, heroes around the world generally share a number of characteristics that instruct and inspire people. A hero does something worth talking about. A hero has a story of adventure to tell and a community who will listen. But a few does beyond mere fame. Heroes serve powers or principles larger than themselves. Like high-voltage transformers, heroes take the energy of higher powers and step it down so that it can be used by ordinary people. The hero lives a life worthy of imitation. Those who imitate a genuine, a hero experience life with new depth, enthusiasm, and meaning. A sure test for would-be heroes is what or whom do they serve What are they willing to live and die for If the answer or evidence suggests they serve only their own fame, they may be famous persons but not heroes. Madonna and Michael Jackson are famous, but who would claim that their fans find life more abundant Heroes are catalysts (催化剂) for change. They have a vision from the mountaintop. They have the skill and the charm to move the masses. They create new possibilities. Without Gandhi, India might still be part of the British Empire. Without Rosa Parks and Martin Luther King, Jr. , we might still have segregated (隔离的) buses, restaurants, and parks. It may be possible for large-scale change to occur without leaders with magnetic personalities, but the pace of change would be slow, the vision uncertain, and the committee meetings endless. Madonna and Michael Jackson are not considered heroes because______.
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Questions 7 and 8 are based on the following news. At the end of the news item, you will be given 10 seconds to answer each of the following questions. Now listen to the News. According to the report, what is the main concern of the online consumers
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In November 1970 Yukio Mishima, together with some of his fanatical followers from the ultra nationalistic Shield Society which he had founded in 1966, broke into the headquarters of Japan’s Eastern Defense Forces armed with swords and daggers, overpowered some aides, tied up the commanding general, and demanded that the troops be assembled to hear a speech. Mishima addressed the troops for ten minutes, inciting them to rebel against the constitutional government imposed by the United States that had, in his words, "turned Japan spineless. " Receiving only ridicule in response, he returned to the general’s office and there, before the general’s unbelieving eyes, proceeded to kill himself in strict accordance with the traditional samurai ritual of seppuku. After Mishima had driven a dagger deep into left abdomen, one of his aides severed his head with a sword. The aide likewise killed himself and was beheaded; the others surrendered. In 1936 there had been a similar revolt and, though equally unsuccessful, it had foreshadowed the repressive regime of General Tojo that was to stage the attack on Pearl Harbor in 1941. That earlier revolt is the one referred to in Patriotism, one of Mishima’s most powerful stories. Here life and fiction become joined. The act of seppuku was for Mishima a fulfillment, "the ultimate dream of my life. " Born of an ancient samurai family, he longed to die a hero’s death in accordance with the ancient samurai code; but his weak body kept him from service in the war, and he had to compensate through body building (he became expert at karate and kendo) and, most important, through the discipline of writing. In his short lifetime he turned out twenty novels, thirty plays, many essays, and more than eighty stories; he also produced, directed, and acted in movies, and even sang on stage. His first book of stories, A Forest in Flower, appeared in 1943, but it was Confession of a Mask (1948), dealing with the meditations of a young man of homosexual leanings in a repressive society, that brought him fame. Mishima has been called "Japan’s Hemingway", while others have compared him to "aesthetic" writers like Walter Peter and Oscar Wilde. In the 1970 rebel, the speech made by Mishima______.
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