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Passage Two The development of rapid transit rail lines in cities should parallel local economic development and blind construction of such lines should be avoided, a State Council conference said yesterday. The meeting, chaired by Premier Wen Jiabao, said the building of rapid-transit rail lines in cities should be carried out according to strict guidelines and management systems of such lines should be improved. It stressed that the amount of domestically made equipment used in such infrastructure projects needs to be increased. The meeting also deliberated on the draft amendments for laws governing the People’s Bank of China and commercial banks. Also discussed were the draft law on the supervision and management of banking sector and draft regulations on the management of central food reserves. It was agreed at the meeting that the laws governing the People’s Bank of China and commercial banks need to be amended so that the roles and responsibilities of the two are made clear. It can be inferred that ______.
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Passage Three This country, as Lincoln said, belongs to the people. So do the natural resources which make it rich. They supply the basis of our prosperity now and hereafter. In preserving them, which is a national duty, we must not forget that monopoly is based on the control of natural resources and natural advantages, and that it will help the people little to conserve our natural Wealth unless the benefits which it can yield are given back to the people. Let us remember, also, that conservation does not stop with the natural resources. The principle of making the best use of all we have requires that we stop the waste of human life in industry and prevent the waste ’of human welfare which flows from the unfair use of concentrated power and wealth in the hands of men whose eagerness for profit blinds them to the cost of what they do. We have no higher duty than to promote the efficiency of the individual. There is no surer road to the efficiency of the nation. What may contribute to the unfair use of concentrated power and wealth by some people
案例分析题甲大学毕业后被分配到某中学教书，后与在该校的临时工乙确立了恋爱关系并同居。二人的婚事遭到甲的家人反对，后甲逐渐疏远乙。乙认为与甲之间的关系已彻底无望，决定将甲杀死后再自杀。一日，乙将一把准备好的菜刀放在口袋里，找到甲后对甲的面部、胸部一阵乱砍，见甲的右手已被砍断并浑身流血，才放下菜刀。甲乘机跑出房间，乙待甲走后准备割腕自杀，此时甲已喊来其他人，将乙扭送派出所。阅读分析上述案例后，请回答以下问题： （1）乙的行为构成何罪并简要说明理由。（2）乙的行为属于何种犯罪形态并简要说明理由。
The earliest controversies about the relationship between photography and art centered on whether photographer’s fidelity to appearances and dependence on a machine allowed it to be a fine art (1) distinctive from merely a practical art. Throughout the nineteenth century, the defense of photography was identical with the (2) to establish it as a fine art. (3) the charge that photographers was a soulless mechanical duplication of (4) , photographers (5) that it was instead a privileged (6) of seeing, a revolt against commonplace vision, and (7) worthy an art than painting.Ironically, (8) photography is securely established as a fine art, many photographers find it pretentious or (9) to label it as such. Serious photographers are no longer willing to (10) whether photography is not involved with art, (11) to proclaim that their own work is not involved with it. This shows the extent (12) which they simply take for granted the concept of art imposed by the (13) of Modernism: the better the art, the more subversive it is of the traditional aims of art.Photographers’ disclaimers of any interest in making art tell us more about the troubled status of the contemporary (14) of art (15) about whether photography is or is not art. Photography, (16) Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.Photography, (17) , has developed all the (18) and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the (19) of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity-- (20) , an art. Read the following text. Choose the best word (s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1.14（）
The earliest controversies about the relationship between photography and art centered on whether photographer’s fidelity to appearances and dependence on a machine allowed it to be a fine art (1) distinctive from merely a practical art. Throughout the nineteenth century, the defense of photography was identical with the (2) to establish it as a fine art. (3) the charge that photographers was a soulless mechanical duplication of (4) , photographers (5) that it was instead a privileged (6) of seeing, a revolt against commonplace vision, and (7) worthy an art than painting.Ironically, (8) photography is securely established as a fine art, many photographers find it pretentious or (9) to label it as such. Serious photographers are no longer willing to (10) whether photography is not involved with art, (11) to proclaim that their own work is not involved with it. This shows the extent (12) which they simply take for granted the concept of art imposed by the (13) of Modernism: the better the art, the more subversive it is of the traditional aims of art.Photographers’ disclaimers of any interest in making art tell us more about the troubled status of the contemporary (14) of art (15) about whether photography is or is not art. Photography, (16) Pop painting, reassures viewers that art is not hard; photography seems to be more about its subjects than about art.Photography, (17) , has developed all the (18) and self-consciousness of a classic Modernist art. Many professionals privately have begun to worry that the (19) of photography as an activity subversive of the traditional pretensions of art has gone so far that the public will forget that photography is a distinctive and exalted activity-- (20) , an art. Read the following text. Choose the best word (s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1.6（）
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