In its everyday life, Italy is very much the man’s world. However, because of the Italian’s understanding of foreigners, the woman tourist is able to invade many of the male places that are prohibited to Italian women. These places include the caffe and the wine shop. In the large cities the caffe is a combination of club and office. Here, for the price of a coffee, an Italian can read all the newspapers brought to him. And he can transact business, with the waiter producing pen, ink, and stamps as needed. Or if he wants, he can sit outside under a canvas covering before the door and enjoy the sight of beautiful women passing by. The wine shop, as a rule, is a more vigorous place than the caffe, and is filled almost exclusively with men. Wandering singers, generally in groups of two or three, add to the noise of these places with their songs and music. Many of the songs are of a political character and make fun of the leading statesmen of Italy, America, England, France, and Russia. But the songs are generally showing off a spirit of mischief. And when the criticism is about America, the American tourists find themselves laughing as much as anyone else. The Italian is a master at making fun of you and making you like it. The Italian men are deep-rooted gamblers. They have been brought up to it as children, but they are cautious gamblers and never go too much in it. The national lottery used to be one of the most popular forms of gambling. But later a football stake had taken away much of the interest in the lottery. But here the important thing is that gambling, the same as drinking, seldom goes to an Italian’s head and his bets are not really dangerous risks. Even at cards the Italian plays for low stakes, generally for a cup of coffee or wine. In this world of the Italian male it would be careless if the romanticism of the Italian were neglected. The Italian might well be described as the world’s greatest romanticist. From any boat in Venice to any member of the government in Rome, the Italian is always aware of romance, of love and of the importance of being a good lover. On the beaches of Italy, the visitor is aware that the Italian really lives for romance. His manners, his compliments, his charm and his general way of behaving are those of a romanticist. Almost every Italian you meet is convinced that he is another Casanova. Romance is as much a part of Italy as its art and its history. Perhaps the feeling of romance that wells up in you when you come to Italy is one of the greatest things that Italy has to offer a world that is tired of war and political intrigue. It is the ideal place for a honeymoon because hotel managers and waiters make you conscious of your own love and stress it in such a way that you feel more in love in this country than in any other. "Almost every Italian you meet is convinced that he is another Casanova. (Para. 6)" According to the context, "Casanova" is most probably______.
A. a very mischievous man
B. a very romantic man
C. a man who enjoys wine
D. a man who enjoys music
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Every generation has its emblematic boy’s toy. Once upon a time there was the golf cart: a little toy car specifically designed for middle-aged men too rich to care about looking ridiculous. Later came the beach buggy, a briefly fashionable, wildly impractical, single-terrain vehicle. One might include the motorcycle or the snowmobile on this list, were they not, in certain contexts, quite useful, but there is no doubt which pointless recreational vehicle has captured the imagination of the landed, middle-aged celebrity: it’s the quad bike. What is it about this squat, ungainly, easy-to-flip machine that celebrities love so much As recreational vehicles go, the quad bike is hardly sophisticated. They are to the countryside what the jet-ski is to Lake Windermere. "There’s nothing cool about a quad", says Simon Tiffin, editor of a well-known magazine. "It’s a strange thing to want to hare round beautiful bits of the country in a petrol-guzzling machine." But celebrities love quad bikes. Musicians, comedians, DJs, actors and sportsmen have all been photographed aboard quads. "They’re the latest rich person’s toy", says Tiffin. "Spoilt children get them for Christmas." Provided you~ ye got a large estate to go with it, however, the quad bike can remain a secret indulgence. You can go out and tear up your own piece of countryside without anyone knowing you’re doing it. The quad bike’s nonsensical name—"quad" means four, but "bike" is an abbreviation of "bicycle", which means two—that comes to six—hints at its odd history. Originally the ATV, or all-terrain vehicle, as quads are sometimes known, was developed in Japan as a three-wheeled farm vehicle, an inexpensive mini-tractor that could go just about anywhere. In the 1980s the more stable four-wheeled quad was officially introduced—enthusiasts had been converting their trikes for some time—again primarily for farming, but its recreational appeal soon became apparent. At the same time a market for racing models was developing. Paul Anderson, a former British quad racing champion, says the quad’s recreational appeal lies in its potential to deliver a safe thrill. It’s a mix between a motorbike and driving a car; when you turn a corner, you’ve got to lean into the corner, and then if the ground’s greasy, the rear end slides out, he says. "Plus they’re much easier to ride than a two-wheeled motorcycle." The quad bike, in short, provides middle-aged excitement for men who think a Harley might be a bit dangerous. Anderson is keen to point out that quad bikes are, in his experience, much safer than motorcycles. "With quad racing it’s very rare that we see anybody having an accident and getting injured," he says. "In the right hands, personally, I think a quad bike is a very safe recreational vehicle", he adds. Outside of racing, quad bikes are growing in popularity and injuries have trebled in the last five years. Although retailers offer would-be purchasers basic safety instructions and recommend that riders wear gloves, helmets, goggles, boots and elbow pads, there is no licence required to drive a quad bike and few ways to encourage people to ride them wisely. Employers are required to provide training to workers who use quad bikes, but there is nothing to stop other buyers hurting themselves. For the rest of the world, quad bikes are here to stay. They feature heavily in the programmes of holiday activity centres, they have all but replaced the tractor as the all-purpose agricultural workhorse and now police constables ride them while patrolling the Merseyside coastline. It has more or less usurped the beach buggy, the dirt bike and the snowmobile, anywhere they can go the quad bike can. They even race them on ice. You can’t drive round Lake Windermere on one, or at least nobody’s tried it yet. Just wait. What does Paul Anderson think about quad bike riding
A. The only danger is when the rider is turning a corner.
B. Anyone who can ride a quad bike can ride a motorcycle.
C. Most accidents occur when people are racing quad bikes.
D. A quad bike can be exciting without being dangerous.
Bernard Jackson is a free man today, but he has many bitter memories. Jackson spent five years in prison after a jury wrongly convicted him of raping two women. At Jackson’s trial, although two witnesses testified that Jackson was with them in another location at the times of the crimes, he was convicted anyway. Why The jury believed the testimony of the two victims, who positively identified Jackson as the man who has attacked them. The court eventually freed Jackson after the police found the man who had really committed the crimes. Jackson was similar in appearance to the guilty man. The two women has made a mistake in identity. As a result, Jackson has lost five years of his life. The two women in this case were eyewitnesses. They clearly saw the man who attacked them, yet they mistakenly identified an innocent person. Similar incidents have occurred before. Eyewitnesses to other crimes have identified the wrong person in a police lineup or in photographs. Many factors influence the accuracy of eyewitness testimony. For instance, witnesses sometimes see photographs of several suspects before they try to identify the person they saw in a lineup of people. They can become confused by seeing many photographs or similar faces. The number of people in the lineup, and whether it is a live lineup or a photograph, may also affect a witnesses decision. People sometimes have difficulty in identifying people of other races. The questions the police ask witnesses also have an effect on them. Are some witnesses more reliable than others Many people believe that police officers are more reliable than ordinary people. Psychologists decided to test this idea, and they discovered that it is not true. Two psychologists showed a film of crimes to both police officers and civilians. The psychologists found no difference between the police and the civilians in correctly remembering the details of the crimes. Despite all the possibilities for inaccuracy, courts cannot exclude eyewitness testimony from a trial. American courts depend almost completely on eyewitness testimony to resolve court cases. Sometimes it is the only evidence to a crime, such as rape. Furthermore, eyewitness testimony is often correct. Although people do sometimes make mistakes, many times they really do identify individuals correctly. American courts depend on the ability of the 12 jurors, and not the judges, to determine the accuracy of the witnesses testimony. It is their responsibility to decide if a certain witness could actually see, hear, and remember what occurred. In a few cases, the testimony of eyewitnesses has convicted innocent people. More importantly, it has rightly convicted a larger number of guilty people; consequently, it continues to be of great value in the American judicial system. According to the passage, who are in a position to decide whether a witness testimony is reliable
A. The police.
B. The prosecutors.
C. The judges.
D. The jurors.
I have just come home after viewing some astonishing works of art that were recently discovered in Church Hole cave in Nottinghamshire. They are not drawings, as one would expect, but etchings, and they depict a huge range of wild animals. The artists who created them lived around 13,000 years ago, and the images are remarkable on a variety of counts. First of all, their sheer number is staggering, there are ninety all told. Moreover, fifty-eight of them are on the ceiling. This is extremely rare in cave art, according to a leading expert, Dr Wilbur Samson of Central Midlands University. Wall pictures are the norm, he says, "But more importantly, the Church Hole etchings are an incredible artistic achievement. They can hold their own in comparison with the best found in continental Europe." I am not a student of the subject, so I have to take his word for it. However, you do not have to be an expert to appreciate their beauty. In fact, it is the wider significance of the etchings that is likely to attract most attention in academic circles, since they radically alter our view of life in Britain during this epoch. It had previously been thought that ice-age hunters in this country were isolated from people in more central areas of Europe, but the Church Hole images prove that ancient Britons were part of a culture that had spread right across the continent. And they were at least as sophisticated culturally as their counterparts on the mainland. An initial survey of the site last year failed to reveal the presence of the etchings. The reason lies in the expectations of the researchers. They had been looking for the usual type of cave drawing or painting, which shows up best under direct light. Consequently, they used powerful torches, shining them straight onto the rock face. However, the Church Hole images are modifications of the rock itself, and show up best when seen from a certain angle in the natural light of early morning. Having been fortunate to see them at this hour, I can only say that I was deeply—and unexpectedly—moved. While most cave art often seems to have been created in a shadowy past very remote from us, these somehow convey the impression that they were made yesterday. Dr Samson feels that the lighting factor provides important information about the likely function of these works of art. "I think the artists knew very well that the etchings would hardly be visible except early in the morning. We can therefore deduce that the chamber was used for rituals involving animal worship, and that they were conducted just after dawn as a preliminary to the day’s hunting." To which I can only add that I felt deeply privileged to have been able to view Church Hole. It is a site of tremendous importance culturally and is part of the heritage, not only of this country, but the world as a whole. What conclusions does Dr. Samson draw from the lighting factor
Animal worship rituals were common in the morning.
B. The artists never intended to make the images visible.
C. The images were intended for early morning rituals.
D. Ice-age hunters used torches in worshipping animals in the cave.