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I have just come home after viewing some astonishing works of art that were recently discovered in Church Hole cave in Nottinghamshire. They are not drawings, as one would expect, but etchings, and they depict a huge range of wild animals. The artists who created them lived around 13,000 years ago, and the images are remarkable on a variety of counts. First of all, their sheer number is staggering, there are ninety all told. Moreover, fifty-eight of them are on the ceiling. This is extremely rare in cave art, according to a leading expert, Dr Wilbur Samson of Central Midlands University. Wall pictures are the norm, he says, "But more importantly, the Church Hole etchings are an incredible artistic achievement. They can hold their own in comparison with the best found in continental Europe." I am not a student of the subject, so I have to take his word for it. However, you do not have to be an expert to appreciate their beauty. In fact, it is the wider significance of the etchings that is likely to attract most attention in academic circles, since they radically alter our view of life in Britain during this epoch. It had previously been thought that ice-age hunters in this country were isolated from people in more central areas of Europe, but the Church Hole images prove that ancient Britons were part of a culture that had spread right across the continent. And they were at least as sophisticated culturally as their counterparts on the mainland. An initial survey of the site last year failed to reveal the presence of the etchings. The reason lies in the expectations of the researchers. They had been looking for the usual type of cave drawing or painting, which shows up best under direct light. Consequently, they used powerful torches, shining them straight onto the rock face. However, the Church Hole images are modifications of the rock itself, and show up best when seen from a certain angle in the natural light of early morning. Having been fortunate to see them at this hour, I can only say that I was deeply—and unexpectedly—moved. While most cave art often seems to have been created in a shadowy past very remote from us, these somehow convey the impression that they were made yesterday. Dr Samson feels that the lighting factor provides important information about the likely function of these works of art. "I think the artists knew very well that the etchings would hardly be visible except early in the morning. We can therefore deduce that the chamber was used for rituals involving animal worship, and that they were conducted just after dawn as a preliminary to the day’s hunting." To which I can only add that I felt deeply privileged to have been able to view Church Hole. It is a site of tremendous importance culturally and is part of the heritage, not only of this country, but the world as a whole. What conclusions does Dr. Samson draw from the lighting factor
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I have just come home after viewing some astonishing works of art that were recently discovered in Church Hole cave in Nottinghamshire. They are not drawings, as one would expect, but etchings, and they depict a huge range of wild animals. The artists who created them lived around 13,000 years ago, and the images are remarkable on a variety of counts. First of all, their sheer number is staggering, there are ninety all told. Moreover, fifty-eight of them are on the ceiling. This is extremely rare in cave art, according to a leading expert, Dr Wilbur Samson of Central Midlands University. Wall pictures are the norm, he says, "But more importantly, the Church Hole etchings are an incredible artistic achievement. They can hold their own in comparison with the best found in continental Europe." I am not a student of the subject, so I have to take his word for it. However, you do not have to be an expert to appreciate their beauty. In fact, it is the wider significance of the etchings that is likely to attract most attention in academic circles, since they radically alter our view of life in Britain during this epoch. It had previously been thought that ice-age hunters in this country were isolated from people in more central areas of Europe, but the Church Hole images prove that ancient Britons were part of a culture that had spread right across the continent. And they were at least as sophisticated culturally as their counterparts on the mainland. An initial survey of the site last year failed to reveal the presence of the etchings. The reason lies in the expectations of the researchers. They had been looking for the usual type of cave drawing or painting, which shows up best under direct light. Consequently, they used powerful torches, shining them straight onto the rock face. However, the Church Hole images are modifications of the rock itself, and show up best when seen from a certain angle in the natural light of early morning. Having been fortunate to see them at this hour, I can only say that I was deeply—and unexpectedly—moved. While most cave art often seems to have been created in a shadowy past very remote from us, these somehow convey the impression that they were made yesterday. Dr Samson feels that the lighting factor provides important information about the likely function of these works of art. "I think the artists knew very well that the etchings would hardly be visible except early in the morning. We can therefore deduce that the chamber was used for rituals involving animal worship, and that they were conducted just after dawn as a preliminary to the day’s hunting." To which I can only add that I felt deeply privileged to have been able to view Church Hole. It is a site of tremendous importance culturally and is part of the heritage, not only of this country, but the world as a whole. Why were the images not discovered during the initial survey
Middle born children will tell you that they usually didn’t feel all that special while growing up. The first born had his spot- carrier of the family banner and responsible for everything. The last born had his comfy little role, but the middle born had no distinctive place to call his own.Middle-borns just seem to be easily overlooked, and maybe that’s why there are so few pictures of them in the family photo album. There may be hundreds, seemingly thousands, of pictures of the firstborn. For some strange reason, however, which I have confirmed by polling middle-born children around the world, there are seldom many pictures of the middle child, and what photos there are have him included with the others—squeezed again between the older sibling and the younger sibling. Another thing that can be said of many middle-born children is that they typically place great importance on their peer group. The middle child is well known for going outside the home to make friends faster than anybody else in the family. When a child feels like a fifth wheel at home, friends become very important; as a result, many middle children (but not all, of course) tend to be the social lions of the family. While firstborns, typically, have fewer friends, middle children often have many. Middle children have a propensity to leave home first and live farther away from the family than anyone else. I observed a dramatic illustration of this tendency while I was a guest on Oprah Winfrey’s show. The subject that day was sibling rivalry. Three charming young women, all sisters, were among the guests, and we quickly learned that the firstborn and the last born were residents of the Eastern state where they had grown up. They had settled down near their parents and other family members. But the middle child had moved to the West Coast. I suppose she could have gotten another two thousand miles farther away by moving to Hawaii, but her point was still well made. Middle children are the ones who will most often physically distance themselves from the rest of the family. It’s not necessarily because they’re on the outs with everyone else. They simply like to do their own thing, make their own friends, and live their own lives. All of this is not to say that middle children totally ignore their siblings or the rest of the family. One common characteristic of the middle child is that she is a good mediator or negotiator. She comes naturally into this role because she’s often right in the middle, between big brother and little sister, whatever the case may be. And because she can’t have Mom or Dad all to herself, she learns the fine art of compromise. Obviously, these skills are assets in adult life, and middle children often become the best adjusted adults in the family. How did the author get to know that middle children have fewer pictures in the family photo album
In its everyday life, Italy is very much the man’s world. However, because of the Italian’s understanding of foreigners, the woman tourist is able to invade many of the male places that are prohibited to Italian women. These places include the caffe and the wine shop. In the large cities the caffe is a combination of club and office. Here, for the price of a coffee, an Italian can read all the newspapers brought to him. And he can transact business, with the waiter producing pen, ink, and stamps as needed. Or if he wants, he can sit outside under a canvas covering before the door and enjoy the sight of beautiful women passing by. The wine shop, as a rule, is a more vigorous place than the caffe, and is filled almost exclusively with men. Wandering singers, generally in groups of two or three, add to the noise of these places with their songs and music. Many of the songs are of a political character and make fun of the leading statesmen of Italy, America, England, France, and Russia. But the songs are generally showing off a spirit of mischief. And when the criticism is about America, the American tourists find themselves laughing as much as anyone else. The Italian is a master at making fun of you and making you like it. The Italian men are deep-rooted gamblers. They have been brought up to it as children, but they are cautious gamblers and never go too much in it. The national lottery used to be one of the most popular forms of gambling. But later a football stake had taken away much of the interest in the lottery. But here the important thing is that gambling, the same as drinking, seldom goes to an Italian’s head and his bets are not really dangerous risks. Even at cards the Italian plays for low stakes, generally for a cup of coffee or wine. In this world of the Italian male it would be careless if the romanticism of the Italian were neglected. The Italian might well be described as the world’s greatest romanticist. From any boat in Venice to any member of the government in Rome, the Italian is always aware of romance, of love and of the importance of being a good lover. On the beaches of Italy, the visitor is aware that the Italian really lives for romance. His manners, his compliments, his charm and his general way of behaving are those of a romanticist. Almost every Italian you meet is convinced that he is another Casanova. Romance is as much a part of Italy as its art and its history. Perhaps the feeling of romance that wells up in you when you come to Italy is one of the greatest things that Italy has to offer a world that is tired of war and political intrigue. It is the ideal place for a honeymoon because hotel managers and waiters make you conscious of your own love and stress it in such a way that you feel more in love in this country than in any other. According to the passage, the caffe is a place where the Italians can do all of the following EXCEPT______.
Every generation has its emblematic boy’s toy. Once upon a time there was the golf cart: a little toy car specifically designed for middle-aged men too rich to care about looking ridiculous. Later came the beach buggy, a briefly fashionable, wildly impractical, single-terrain vehicle. One might include the motorcycle or the snowmobile on this list, were they not, in certain contexts, quite useful, but there is no doubt which pointless recreational vehicle has captured the imagination of the landed, middle-aged celebrity: it’s the quad bike. What is it about this squat, ungainly, easy-to-flip machine that celebrities love so much As recreational vehicles go, the quad bike is hardly sophisticated. They are to the countryside what the jet-ski is to Lake Windermere. "There’s nothing cool about a quad", says Simon Tiffin, editor of a well-known magazine. "It’s a strange thing to want to hare round beautiful bits of the country in a petrol-guzzling machine." But celebrities love quad bikes. Musicians, comedians, DJs, actors and sportsmen have all been photographed aboard quads. "They’re the latest rich person’s toy", says Tiffin. "Spoilt children get them for Christmas." Provided you~ ye got a large estate to go with it, however, the quad bike can remain a secret indulgence. You can go out and tear up your own piece of countryside without anyone knowing you’re doing it. The quad bike’s nonsensical name—"quad" means four, but "bike" is an abbreviation of "bicycle", which means two—that comes to six—hints at its odd history. Originally the ATV, or all-terrain vehicle, as quads are sometimes known, was developed in Japan as a three-wheeled farm vehicle, an inexpensive mini-tractor that could go just about anywhere. In the 1980s the more stable four-wheeled quad was officially introduced—enthusiasts had been converting their trikes for some time—again primarily for farming, but its recreational appeal soon became apparent. At the same time a market for racing models was developing. Paul Anderson, a former British quad racing champion, says the quad’s recreational appeal lies in its potential to deliver a safe thrill. It’s a mix between a motorbike and driving a car; when you turn a corner, you’ve got to lean into the corner, and then if the ground’s greasy, the rear end slides out, he says. "Plus they’re much easier to ride than a two-wheeled motorcycle." The quad bike, in short, provides middle-aged excitement for men who think a Harley might be a bit dangerous. Anderson is keen to point out that quad bikes are, in his experience, much safer than motorcycles. "With quad racing it’s very rare that we see anybody having an accident and getting injured," he says. "In the right hands, personally, I think a quad bike is a very safe recreational vehicle", he adds. Outside of racing, quad bikes are growing in popularity and injuries have trebled in the last five years. Although retailers offer would-be purchasers basic safety instructions and recommend that riders wear gloves, helmets, goggles, boots and elbow pads, there is no licence required to drive a quad bike and few ways to encourage people to ride them wisely. Employers are required to provide training to workers who use quad bikes, but there is nothing to stop other buyers hurting themselves. For the rest of the world, quad bikes are here to stay. They feature heavily in the programmes of holiday activity centres, they have all but replaced the tractor as the all-purpose agricultural workhorse and now police constables ride them while patrolling the Merseyside coastline. It has more or less usurped the beach buggy, the dirt bike and the snowmobile, anywhere they can go the quad bike can. They even race them on ice. You can’t drive round Lake Windermere on one, or at least nobody’s tried it yet. Just wait. According to the passage, the quad bike originally______.
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