二、判断对错题(共10小题,每小题2分,共20分) 请填写True or False1. The Early forms of short fiction include mythology, folklore, fables, parables, tales, and short stories. ______ 2. Character is the people in the story. He is an individual created imaginably by the author through whom this imaginable person, to some extent, lives within us; to the other extent, outside us. ______ 3. Subject is what the story is generally about. It is a concise summary of the story’s content expressed in one statement. ______ 4. The tone of the story “The Tell-Tale Heart” can be defined as blissful and gay.______ 5. The point of view of “To Build a Fire” is third person omniscient point of view. ______ 6. The protagonist of the story “The Killers” is a prize-fighter called Ole Anderson. ______ 7. In “The Rocking-Horse Winner”, the voice in the house is a symbol standing for the call for love and passion. ______ 8. “Araby”, “Bartleby”, “The Garden Party”, and “A & P” are stories that can be categorized into a literature genre called “Initiation Story”. ______ 9. John Updike is a famous American novelist, poet, short story writer, art critic, and literary critic. Describing his subject as "the American small town, Protestant middle class", Updike was well recognized for his careful craftsmanship, his unique prose style, and his prolificness. ______ 10. William Faulkner and Mary Flannery O’Connor are both Southern writers who often wrote in a Southern Gothic style and relied heavily on grotesque characters. ______
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一、填空题(共10小题,每小题1分,共10分)1. The person who actually rationalized the artistic practice into a theoretic framework is ______ . In his 1842 review of Hawthorne’s Twice-Told Tales, he defined short story as a tale that is short enough to be read at a single sitting. 2. ______ is a fictitious story meant to teach a moral lesson, traditionally by means of animal characters who speak and act in the way of human beings. 3. ______ s the battle between what the character wants to do and what the character must do--- inner turmoil, moral dilemmas or overcoming trauma. 4. ______ is more complex than plot and subject. It is the story’s controlling idea or central insight that reflects the author’s personal philosophy of life. It is usually expressed in one line which serves as the author’s mental preparation for answering the question “what is the story about.” 5. When we come to ______ we are concerned with a writer’s selection and arrangement of facts drawn from an action (real or imaginary) --- a selection and arrangement that determine the unity and significance of the fiction. ____________________, then, is the meaningful manipulation of action. 6. The author of “The Rocking Horse Winner” ______ is one of the most influential and creative writers of the 20th century. He was once a controversial figure due to frankness about sex, but now is recognized a serious writer and moralist. 7. Charletto Perkins Gilman is an American feminist, author, critic, and theorist. ______ _ is her only short story. She is best known during her own life for her sociological and political work than her fiction. 8. ______ _ is the Nobel Prize winner for literature in 1954. His distinctive writing style, characterized by economy and understatement, known as the “Iceberg Theory”, influenced 20th-century fiction, as did his life of adventure and public image. 9. Virginia Woolf is an English author, feminist, essayist, publisher, critic, and one of the foremost modernist literary figures of the 20th century. She is best known for her writing technique called______ _. 10.______ is a contemporary Iran-born British writer and Nobel Prize winner of 2007. She was described by the Swedish Academy as "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilization to scrutiny".
Charlotte Bronte, the author of Jane Eyre, and______ _, the author of Wuthering Heights, are known as “the Bronte sisters” in the history of English literature.
The greatest of the pioneers of English drama was ______ (1564-1593) who reformed that genre in England and perfected the language and verse of dramatic works. It was him who made blank verse the principal vehicle of expression in drama.
______ , the national poet of Scotland and a pioneer of the Romantic movement, published Poems Chiefly in Scottish Dialect which marked an epoch in the history of English literature. His famous poems include “To a Mouse,” “John Anderson, My Jo,” “A Red, Red Rose” and “Auld Lang Syne.