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It has always been a problem to decide whether "popular music" is music which represents the people or is simply music that the people like. The same problem of (1) exists with jazz. So many different (2) of music have been called jazz at one time or another that it is hard to say what (3) it is. Jazz has always been considered tobe black music (4) when I first (5) an interest in it twenty years ago, I used to hear white (6) playing music that was like Louis Armstrong’s in the 1920s. I found out afterwards that they learnt to do this by playing Armstrong’s records over and over again until their style was close enough to his (7) for them to imitate him.Since then white singers like Bob Dylan have rediscovered (8) own folk tradition, instead of (9) from black roots. But the main (10) since 1960 have been social and technical. One is that young people have more (11) to spend on records at an earlier age than they used to, so Tin Pan Alley, the ’pop’ music industry, aims at the teenage audience. (12) is that electronic equipment has developed to such an (13) that technicians are now capable of mixing sound to (14) recordings that are quite different from a live (15)But the real (16) with ’pop’ musis is that Tin Pan Alley has always worked against its being a (17) music of the people. It takes everything original and natural out of it and (18) it with cheap commercial imitations. (19) the American folk singer, Woody Guthrie, said: "They’ve always (20) the second-rate songs. They’ve never wanted to play the good ones." 7()

A. skill
B. spirit
C. pace
D. model

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It has always been a problem to decide whether "popular music" is music which represents the people or is simply music that the people like. The same problem of (1) exists with jazz. So many different (2) of music have been called jazz at one time or another that it is hard to say what (3) it is. Jazz has always been considered tobe black music (4) when I first (5) an interest in it twenty years ago, I used to hear white (6) playing music that was like Louis Armstrong’s in the 1920s. I found out afterwards that they learnt to do this by playing Armstrong’s records over and over again until their style was close enough to his (7) for them to imitate him.Since then white singers like Bob Dylan have rediscovered (8) own folk tradition, instead of (9) from black roots. But the main (10) since 1960 have been social and technical. One is that young people have more (11) to spend on records at an earlier age than they used to, so Tin Pan Alley, the ’pop’ music industry, aims at the teenage audience. (12) is that electronic equipment has developed to such an (13) that technicians are now capable of mixing sound to (14) recordings that are quite different from a live (15)But the real (16) with ’pop’ musis is that Tin Pan Alley has always worked against its being a (17) music of the people. It takes everything original and natural out of it and (18) it with cheap commercial imitations. (19) the American folk singer, Woody Guthrie, said: "They’ve always (20) the second-rate songs. They’ve never wanted to play the good ones." 18()

A. replaces
B. substitutes
C. exchanges
D. reforms

取供试品0.2g,加水20ml使溶解,分取10ml,加三硝基苯酚试液10ml,即生成沉淀,滤过,沉淀用水洗涤,在105℃干燥后,测定熔点为228℃~232℃

A. 对乙酰氨基酚
B. 盐酸普鲁卡因
C. 盐酸利多卡因
D. 诺氟沙星
E. 盐酸氯丙嗪
F. 以下方法鉴别的药物是

如果企业的材料变质、毁损,失去了所有的使用价值和转让价值,那么就不能再作为企业的资产。( )

A. 对
B. 错

The software architecture is a set of software components, subsystems, relationships,interactions, the properties of each of these elements, and the set of guiding principles that together constitute the fundamental properties and constraints of a software system or set of systems. () defines a general set of element types and their interactions. The examples include Pipes and Filters, Model-View-Controller, and Reflection. A () in software architecture is a representation used to understand or document one or more aspects of a problem or solution. Architecture is usually used in conjunction with many adjunct terms. The () defines the key strategies, organization, goals and related processes of the enterprise. At the enterprise level, the () may be more of a set of guidelines on how the various software architectures should be constructed consistently across the enterprise. The (), which describes the high-level set of elements involved in application from a particular domain along with their interactions, is often used to focus on subsystem definition rather than application process level definition. The () defines the key strategies

A. enterprise architecture
B. technical architecture
C. infrastructure architecture
D. business architecture

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