Of all the changes that have taken place in English-language newspapers during the past quarter- century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far- off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. " So few authors have brains enough or literary gift enough to keep their own end up in journalism, "Newman wrote, "that I am tempted to define ’journalism’ as ’a term of contempt applied by writers who are not read to writers who are. ’" Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975 ,is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967 ,the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. Is there any chance that Cardus’s criticism will enjoy a revival The prospect seems remote. Journalistic tastes had changed tong before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover,the amateur tradition in music criticism has been in headlong retreat. It is indicated in Paragraphs 1 and 2 that______.
A. arts criticism has disappeared from big-city newspapers
B. English-language newspapers used to carry more arts reviews
C. high-quality newspapers retain a large body of readers
D. young readers doubt the suitability of criticism on dailies
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In spite of "endless talk of difference," American society is an amazing machine for homogenizing people. There is "the democratizing uniformity of dress and discourse, and the casualness and absence of deference" characteristic of popular culture. People are absorbed into "a culture of consumption" launched by the 19th-century department stores that offered " vast arrays of goods in an elegant atmosphere. Instead of intimate shops catering to a knowledgeable elite," these were stores" anyone could enter, regardless of class or background. This turned shopping into a public and democratic act. " The mass media, advertising and sports are other forces for homogenization. Immigrants are quickly fitting into this common culture, which may not be altogether elevating but is hardly poisonous. Writing for the National Immigration Forum, Gregory Rodriguez reports that today’s immigration is neither at unprecedented levels nor resistant to assimilation. In 1998 immigrants were 9.8 percent of population; in 1990,13.6 percent. In the 10 years prior to 1990,3.1 immigrants arrived for every 1,000 residents; in the 10 years prior to 1890,9.2 for every 1,000. Now, consider three indices of assimilation--language, home ownership and intermarriage. The 1990 Census revealed that "a majority of immigrants from each of the fifteen most common countries of origin spoke English ’well’ or ’very well’ after ten years of residence. "The children of immigrants tend to be bilingual and proficient in English. " By the third generation, the original language is lost in the majority of immigrant families. " Hence the description of America as a "graveyard" for languages. By 1996 foreign-born immigrants who had arrived before 1970 had a home ownership rate of 75.6 percent, higher than the 69.8 percent rate among native-born Americans. Foreign-born Asians and Hispanics "have higher rates of intermarriage than do U.S.-born whites and blacks. "By the third generation, one third of Hispanic women are married to non-Hispanics, and 41 percent of Asian-American women are married to non-Asians. Rodriguez notes that children in remote villages around the world are fans of superstars like Arnold Schwarzenegger and Garth Brooks, yet "some Americans fear that immigrants living within the United States remain somehow immune to the nation’s assimilative power." Are there divisive issues and pockets of seething anger in America Indeed. It is big enough to have a bit of everything. But particularly when viewed against America’s turbulent past, today’s social indices hardly suggest a dark and deteriorating social environment. According to the author, the department stores of the 19th century______.
A. played a role in the spread of popular culture
B. became intimate shops for common consumers
C. satisfied the needs of a knowledgeable elite
D. owed its emergence to the culture of consumption
Directions:You bought a digital camera in a store last week, and you have found that there is something wrong with it. Write a letter to the store manager to explain the problem, express your complaints and suggest a solution.You should write about 100 words on ANSWER SHEET 2.Do not sign your own name at the end of the letter. Use "Li Ming" instead.Do not write the address.
计算N!的递归算法如下,求解该算法的时间复杂度时,只考虑相乘操作,则算法的计算时间T(n)的递推关系式为 (55) ;对应时间复杂度为 (56) 。int Factorial (int n){//计算n!if(n<=1)return 1;else return n * Factorial(n-1);} (56)处填()。
A. O(n)
B. O(n-1)
C. O(n2)
D. O(1)
Bankers have been blaming themselves for their troubles in public. Behind the scenes, they have been taking aim at someone else: the accounting standard-setters. Their rules, moan the banks, have forced them to report enormous losses, and it’s just not fair. These rules say they must value some assets at the price a third party would pay, not the price managers and regulators would like them to fetch. Unfortunately, banks’ lobbying now seems to be working. The details may be unknowable, but the independence of standard-setters, essential to the proper functioning of capital markets, is being compromised. And, unless banks carry toxic assets at prices that attract buyers, reviving the banking system will be difficult. After a bruising encounter with Congress, America’s Financial Accounting Standards Board (FASB) rushed through rule changes. These gave banks more freedom to use models to value illiquid assets and more flexibility in recognizing losses on long-term assets in their income statement. Bob Herz, the FASB’s chairman, cried out against those who "question our motives. "Yet bank shares rose and the changes enhance what one lobby group politely calls "the use of judgment by management." European ministers instantly demanded that the International Accounting Standards Board (IASB) do likewise. The IASB says it does not want to act without overall planning, but the pressure to fold when it completes it reconstruction of rules later this year is strong. Charlie McCreevy, a European commissioner, warned the IASB that it did "not live in a political vacuum" but "in the real word" and that Europe could yet develop different rules. It was banks that were on the wrong planet, with accounts that vastly overvalued assets. Today they argue that market prices overstate losses, because they largely reflect the temporary illiquidity of markets, not the likely extent of bad debts. The truth will not be known for years. But bank’s shares trade below their book value, suggesting that investors are skeptical. And dead markets partly reflect the paralysis of banks which will not sell assets for fear of booking losses, yet are reluctant to buy all those supposed bargains. To get the system working again, losses must be recognized and dealt with. America’s new plan to buy up toxic assets will not work unless banks mark assets to levels which buyers find attractive. Successful markets require independent and even combative standard-setters. The FASB and IASB have been exactly that, cleaning up rules on stock options and pensions, for example, against hostility from special interests. But by giving in to critics now they are inviting pressure to make more concessions. According to the author ,the rule changes of the FASB may result in______.
A. the diminishing role of management
B. the revival of the banking system
C. the banks’ long-term asset losses
D. the weakening of its independence