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B型题 疹的特点是（）
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"Wanna buy a body?" That was the opening line of more than a few phone calls I got from self-employed photographers when I was a photo editor at U.S. News. Like many in the mainstream press, I wanted to separate the world of photographers into "them", who trade in pictures of bodies or run after famous people like Princess Diana, and "us", the serious news people. But after 16 years in that role, I came to wonder whether the two worlds were easily distinguishable. Working in the reputable world of journalism, I told photographers to cover other people's difficult life situations. I justified marching into moments of sadness, under the appearance of the reader's right to know. I worked with professionals talking their way into situations or shooting from behind police lines. And I wasn't alone. In any American town, after a car crash or some other horrible incident when ordinary people are hurt or killed, you rarely see photographers pushing past rescue workers to take photos of the blood and injuries. But you are likely to see local newspaper and television photographers on the scene –and fast… How can we justify doing this? Journalists are taught to separate, doing the job from worrying about the consequences of publishing what they record. Repeatedly, they are reminded of a news-business saying: Leave your conscience in the office, A victim may lie bleeding, unconscious, or dead. Your job is to record the image (图象). You're a photographer, not an emergency medical worker. You put away your feelings and document the scene. But catastrophic events often bring out the worst in photographers and photo editors. In the first minutes and hours after a disaster occurs, photo agencies buy pictures. They rush to obtain the rights to be the only one to own these shocking images and death is usually the subject.Often, an agency buys a picture from a local newspaper or an amateur photographer and puts it up for bid by major magazines. The most sought-after special pictures command tens of thousands of dollars through bidding contests. I worked on all those stories and many like them. When they happen, you move quickly: buying, dealing, trying to beat the agencies to the pictures. Now, many people believe journalists are the hypocrites(伪君子)who need to be brought down, and it's our pictures that most anger others. Readers may not believe, as we do, that there is a distinction between clear-minded "us" and mean-spirited "them". In too many cases, by our choices of images as well as how we get them, we prove our readers right. Editors sometimes have to pay a lot of money for exclusive pictures.（）
The Storyteller 1.Steven Spielberg has always had one goal: to tell as many great stories to as many people as will listen.And that’s what he has always been about.The son of a computer scientist and a pianist, Spielberg spent his early childhood in New Jersey and, later, Arizona.From the very beginning, his fertile imagination filled his young mind with images that would later inspire his filmmaking. 2.Even decades later, Spielberg says he has clear memories of his earliest years, which are the origins of some of his biggest hits.He believes that E.T.is the result of the difficult years leading up to his parent’s 1966 divorce, “It is really about a young boy who was in search of some stability in his life.”“He was scared of just about everything,” recalls his mother, Leah Adler.“When trees brushed against the house, he would head into my bed.And that’s just the kind of scary stuff he would put in films like Poltergeist.”3.Spielberg was 11 when he first got his hands on his dad’s movie camera and began shooting short flicks about flying saucers and World War ΙΙ battles.Spielberg’s talent for scary storytelling enabled him to make friends.On Boy Scout camping trips, when night fell, Spielberg became the center of attention.“Steven would start telling his ghost stories,” says Richard Y.Hoffman Jr., leader of Troop 294, “and everyone would suddenly get quiet so that they could all hear it.”4. Spielberg moved to California with his father and went to high school there, but his grades were so bad that he barely graduated.Both UCLA and USC film schools rejected him, so he entered California State University at Long Beach because it was close to Hollywood.Spielberg was determined to make movies, and he managed to get an unpaid, non-credit internship(实习)in Hollywood.Soon he was given a contract, and he dropped out of college.He never looked back.5. Now, many years later, Spielberg is still telling stories with as much passion as the kid in the tent.Ask him where he gets his ideas, Spielberg shrugs.“The process for me is mostly intuitive (凭直觉的),” he says.“There are films that I feel I need to make, for a variety of reasons, for personal reasons, for reasons that I want to have fun, that the subject matter is cool, that I think my kids will like it.And sometimes I just think that it will make a lot of money, like the sequel(续集) to Jurassic Park.” Some of Spielberg’s most successful movies came from（）
Obesity Causes Global Warming The list of ills attributable to obesity keeps growing: Last week, obese people were accused of causing global warming. This (51) comes from Sheldon Jacobson of the University of Illinois, US, and a doctoral student, Laura McLay. Their study (52) how much extra gasoline is needed to haul fat Americans around. The answer, they say, is a billion gallons of gas per year. It (53) an extra 11 million tons of carbon dioxide. There has been (54) for taxes on junk food in recent years. US economist Martin Schmidt suggests a tax on fast food (55) to people's cars." We tax cigarettes partly because of their health cost," Schmidt said. "Similarly, leading a lazy life style will end (56) costing taxpayers more." US political scientist Eric Oliver said his first instinct was to laugh at these gas and fast food arguments. But such (57) are getting attention. At the US Obesity Society's annual meeting, one person(58) obesity with car accident deaths, and another correlated obesity with suicides. No one asked whether there was really a cause-and-effect relationship. "The funny thing was that everyone took it (59) ." Oliver said. In a 1960s study, children were (60) drawings of children with disabilities and without them, and a drawing of an obese child. They were asked (61) they would want for a friend? The obese child was picked last. Three researchers recently repeated the study (62) college students. Once again, (63) no one, not even obese people, liked the obese person. "Obesity was stigmatized." the researchers said. But, researchers say, getting (64) is not like quitting smoking. People struggle to stop smoking, and, in the end, many succeed. Obesity is different. But, not because obese people don't care. Science has shown that they have limited personal control over their weight. Genes also (65) a part. 63（）
B型题 热结津伤的舌象可见（）
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