Начинать надо с себя Возможно, самое главное, пока человек не вырос, внушить ему чёткое представление о том, что должно. 61. Очевидно, что болшую роль в формировании гражданского мышления личности играет её повседневное социальное окружение. Качество социального опыта, приобретаемого дома, в школе и на улице, имеет прямое отношение к прогрессу в развитии личности. 62. Даже в наши времена большинство родителей и учителей предпочитают, чтобы благополучие их детей было связано с благополучием окружающих. Способ воздействия на других своим примером принадлежит к числу самых верных. Вспомните собственное детство и юность. Каких учителей вы ценили превыше всего Тех, кто делил с вами трудные дела. 63. Отец не может заставлять сына помогать матери, если сам лежит на диване, пока жена моет стеклящую посуду. Начинать надо с себя во всем. А это значит, что 64. все блага себе, если не последнему, то по крайней мере в той же очереди, в какой получают их остальные. 65. Постоянно следует соблюдать формулу: что можно тебе, то можно и другим, а чего нельзя другим, того нельзя и тебе. 61. ___________________________________________________ 62. ___________________________________________________ 63. ___________________________________________________ 64. ___________________________________________________ 65. ___________________________________________________
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Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards (内在部分) are discouraging to any but the pure scientific mind. In a newsreel theatre the other day I saw a picture of a man who had developed the soap bubble to a higher point than it had ever before reached. He had become the ace soap bubble blower of America, had perfected the business of blowing bubbles, refined it, doubled it, squared it, and had even worked himself up into a convenient lather. The effect was not pretty. Some of the bubbles were too big to be beautiful, and the blower was always jumping into them or out of them, or playing some sort of unattractive trick with them. It was, if anything, a rather repulsive sight. Humor is a little like that: it won’t stand much blowing up, and it won’t stand much poking. It has a certain fragility, an evasiveness, which one had best respect. Essentially, it is a complete mystery. A human frame convulsed with laughter, and the laughter becoming mysterious and uncontrollable, is as far out of balance as one shaken with the hiccoughs or in the throes of a sneezing fit. One of the things commonly said about humorist is that they are really very sad people- clowns with a breaking heart. There is some truth in it, but it is badly stated. It would be more accurate, I think, to say that there is a deep vein of melancholy running through everyone’s life and that the humorist, perhaps more sensible of it than some others, compensates for it actively and positively. Humorists fatten on trouble. They have always made trouble pay. They struggle along with a good will and endure pain cheerfully, knowing how well it till serve them in the sweet by and by. You find them wrestling with foreign languages, fighting folding ironing boards and swollen drainpipes, suffering the terrible discomfort of tight boot (or as Josh illings wittily called them, "tire boots"). They pour out their sorrows profitably, in a form hat is not quite a fiction nor quite a fact either. Beneath the sparking surface of these dilemmas lows the strong tide of human woe. Practically everyone is a manic depressive of sorts, with his up moments and his down moments, and you certainly don’t have to be a humorist to taste the sadness of situation and mood. But there is often a rather fine line between laughing and crying, and if a humorous piece of writing brings a person to the point where his emotional responses are untrustworthy and seem likely to break over into the opposite realm, it is because humor, like poetry, has an extra content. It plays close to the bit hot fire which is Truth, and sometimes the reader feels. the heat. According to the author, humorists differ from ordinary people in the sense that ______.
A. they give vent to their sorrows in a laughable way
B. they have much trouble in their life and they are melancholy
C. they are more sensible of the sadness of life and they endure and express the pain cheerfully
D. they are mostly clowns with a breaking heart
Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards (内在部分) are discouraging to any but the pure scientific mind. In a newsreel theatre the other day I saw a picture of a man who had developed the soap bubble to a higher point than it had ever before reached. He had become the ace soap bubble blower of America, had perfected the business of blowing bubbles, refined it, doubled it, squared it, and had even worked himself up into a convenient lather. The effect was not pretty. Some of the bubbles were too big to be beautiful, and the blower was always jumping into them or out of them, or playing some sort of unattractive trick with them. It was, if anything, a rather repulsive sight. Humor is a little like that: it won’t stand much blowing up, and it won’t stand much poking. It has a certain fragility, an evasiveness, which one had best respect. Essentially, it is a complete mystery. A human frame convulsed with laughter, and the laughter becoming mysterious and uncontrollable, is as far out of balance as one shaken with the hiccoughs or in the throes of a sneezing fit. One of the things commonly said about humorist is that they are really very sad people- clowns with a breaking heart. There is some truth in it, but it is badly stated. It would be more accurate, I think, to say that there is a deep vein of melancholy running through everyone’s life and that the humorist, perhaps more sensible of it than some others, compensates for it actively and positively. Humorists fatten on trouble. They have always made trouble pay. They struggle along with a good will and endure pain cheerfully, knowing how well it till serve them in the sweet by and by. You find them wrestling with foreign languages, fighting folding ironing boards and swollen drainpipes, suffering the terrible discomfort of tight boot (or as Josh illings wittily called them, "tire boots"). They pour out their sorrows profitably, in a form hat is not quite a fiction nor quite a fact either. Beneath the sparking surface of these dilemmas lows the strong tide of human woe. Practically everyone is a manic depressive of sorts, with his up moments and his down moments, and you certainly don’t have to be a humorist to taste the sadness of situation and mood. But there is often a rather fine line between laughing and crying, and if a humorous piece of writing brings a person to the point where his emotional responses are untrustworthy and seem likely to break over into the opposite realm, it is because humor, like poetry, has an extra content. It plays close to the bit hot fire which is Truth, and sometimes the reader feels. the heat. The author uses the example of the soap bubble blower to show that ______.
A. skill is required to produce humor
B. neither too much exaggeration nor absolute explicitness is fit for humor
C. people should perfect the art of humor just as the bubble blower does to the bubbles
D. humor should make people frantic for a while
Л. Толстой никогда не перестает быть писателем.(51. Он) интересна психология поступков, развитие мышления, речь человека. В разговорах с людьми он всегда ( 52.внимательный ) к речи, собирает своё главное имущество —— словарь родного языка. Толстой всю жизнь накапливал это богатство, постоянно вел записи. Он считал, что народная мудрость, ( 53. выразить ) в пословцах ( 谚语 ), поговорках, легендах, сказках, рассеяна по всей России. В семидесятые годы, после напряженной работы над романом " Война и мир ", вновь приходит увлечение ( 54. педагогическая работа ). Толстой, ( 55. работать ) в школе, осознал, что нужны детские рассказы, увлекательные и содержательные книги для самых маленьких и для тех, кто постарше. Где взять такие книги Нужно писать ( 56. сам ). И он на несколько лет отрывается ( 57. художественная работа ), целиком посвящает ( 58. себя ) " Азбуке " ( 基础知识 ) и " Книгам для чтения ". Многочисленные наблюдения, записанные или запечатлённые памятью, непревзойдённые по мастерству описания, находим в рассказах, ( 59. войти ) в " Азбуку ". " Азбука " моя печатается с одного конца,а с другого все пишется и прибавляется. Для нее нужно знание греческой, индийской, арабской литературы, нужны все естественные науки: астрономия, физика ……, и работа ( 60. язык ) ужасная. 51. _____________________ 56. _____________________ 52. _____________________ 57. _____________________ 53. _____________________ 58. _____________________ 54. _____________________ 59. _____________________ 55. _____________________ 60. _____________________
The word science is heard so often in modern times that almost everybody has some notion of its meaning. On the other hand, its definition is difficult for many people. The meaning of the term is confused, but everyone should understand its meaning and objectives. Just to make the explanation as simple as possible, suppose science is defined as classified knowledge (facts). Even in the true sciences distinguishing fact from fiction is not always easy. For this reason great care should be taken to distinguish between beliefs and truths. There is no danger as long as a clear difference is made between temporary and proved explanations. For example, hypotheses and theories are attempts to explain natural phenomena. From these positions the scientist continues to experiment and observe until they are proved or discredited. The exact statue of any explanation should be clearly labeled to avoid confusion. The objectives of science are primarily the discovery and the subsequent understanding of the unknown. Man cannot be satisfied with recognizing that secrets exist in nature or that questions are unanswerable; he must solve them. Toward that end specialists in the field of biology and related fields of interest are directing much of their time and energy. Actually, two basic approaches lead to the discovery of new information. One, aimed at satisfying curiosity, is referred to as pure science. The other is aimed at using knowledge for specific purposes—for instance, improving health, raising standards of living, or creating new consumer products. In this case knowledge is put to economic use. Such an approach is referred to as applied science. Sometimes practical-minded people miss the point of pure science in thinking only of its immediate application for economic rewards. Chemists responsible for many of the discoveries could hardly have anticipated that their findings would one day result in application of such a practical nature as those directly related to life and death. The discoveries of one bit of information opens the door to the discovery of another. Some discoveries seem so simple that one is amazed they were not made years ago; however, one should remember that the ’construction of the microscope had to precede the discovery of the cell. The host of scientists dedicating their lives to pure science are not apologetic about ignoring the practical side of their discoveries; they know from experience that most knowledge is eventually applied. A scientist interested in adding to our general knowledge about oxygen would probably call ______ his approach.
A. applied science
B. agriculture science
C. pure science
D. environmental science