案例分析题Passage ThreeUffizi Tries to Outdo LouvreUffizi试图胜过卢浮宫Italy is to try to turn the Uffizi gallery in Florence into Europe’s premier art museum, with an ambitious 56m euro scheme to double its exhibition space.Giuliano Urbani, Italy’s culture minister, said the enlarged gallery would surpass "even the Louvre".By the time work is completed, visitors to the extensively remodeled Uffizi will be able to see 800 new works, including many now confined to the gallery’s storerooms for lack of space.The project—the outcome of nine months of intensive work by a team of architects, engineers and technicians—is a centrepiece of the cultural policy of Silvio Berlusconi’s government.With refurbishment plans also afoot for the Accademia in Venice and the Brera in Milan, Italy is bent on securing its share of a market for cultural tourism that is threatened not just by the Louvre, but also by the " art triangle" of Madrid, which takes in the Prado, the Thyssen collection and the Reina Sofia museum of art.Schemes for the expansion of the Uffizi’s exhibition space stretch back almost 60 years. The latest was mooted in the mid-1990s.But the one adopted by the present Italian government has reached a far more advanced stage than any of its forerunners. Roberto Cecchi, the government official in charge of the project, said yesterday that all that remained to do was to tender for contracts.The first changes will be seen as early as next week when a collection of pictures by Caravaggio and his school, including the artist’s Bacchus, currently crammed into a tiny room on the second floor, is to be moved to more expansive premises on the first.Mr.Cecchi said the biggest problem faced by his team was "inserting a museum into a building that is itself a monument". The horseshoe-shaped Palazzo degli Uffizi, began in 1560, was designed by the artist and historian Giorgio Vasari.The latest plans are bound to stir controversy, involving as they do the creation of new stairwells and lifts in the heart of the building. There has already been an outcry over one proposed element, a seven-storey, canopy-like structure for a new exit by the Japanese architect Arata lsozaki.But Mr.Urbani said in Florence on Tuesday that part of the scheme was "subject to further evaluation".At the heart of the plan is the opening up of the first floor of the vast building, which for decades was occupied by the local branch of the national archives.This will allow visitors to follow a more extensive, and ordered, itinerary that would turn the Uffizi into what Antonio Paolucci, Tuscany’s top art official, called "a textbook of art history".As at present, visitors will be channelled to the second floor, where they will be able to study early works by Cimabue and Giotto before moving on to admire the gallery’s extraordinary collection of Renaissance masterpieces, including Botticelli’s Primavera.But most of what was painted after 1500 is to be moved down a storey to new exhibition space, and on the ground floor there will be a more extensive collection than at present of modern art. The overall increase in exhibition space will be from 6,000sq metres to almost 13,000.Asked if the expansion might not increase the risk of inducing Stendhal’s syndrome—the disorientation, noted by the French novelist, in those who encounter dozens of Italian Renaissance masterpieces—Mr. Cecchi replied fatalistically, "Yes. It’ll double it". Which of the following is true of Uffizi()
A. It is threatened by the Louvre and the "art triangle" of Madrid.
B. It is going to be remodeled by transforming its storerooms into showrooms.
C. It involves a maintenance fee of 56m euro.
D. It is a major attraction for Italy’s cultural tourism.
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论述题 分析题:《刑法》第270条规定:“将代为保管的他人财物非法占为已有,数额较大,拒不退还的,处二年以下有期徒刑、拘役或者罚金;数额巨大或者有其他严重情节的,处二年以上五年以下有期徒刑,并处罚金。将他人的遗忘物或者埋藏物非法占为已有,数额较大,拒不交出的,依照前款的规定处罚。”试说明:(1)该条规定的罪名和罪状类型。(2)“代为保管”的含义。(3)“遗忘物”的含义。(4)如果甲去银行支取1万元人民币,结果欣然取走了营业员误付给的10万元人民币隐匿家中,甲的行为是否构成侵占罪。
案例分析题B Customs of Bulgaria: Marriage and Family保加利亚习俗:婚姻与家庭The average age for women to marry is between 18 and 25.25 tend to (1) when somewhat older. A church wedding often (2) the legal civil ceremony, and a large reception, which often involves (3) music and dancing, is held in the evening. Wedding traditions include (4) money on the bride’s dress to represent future prosperity, the groom (5) the bride at her home, and the couple pulling on opposite (6) of a loaf of bread—whoever gets the largest piece will be (7) boss of the family. Honeymoons are a new tradition.The principle (8) mutual support is valued in the Bulgarian family. The elderly are (9) cared for by their adult children. Unmarried adults live with their (10) and many newly married couples live with one set of parents (11) they are able to get housing of their own. Most families (12) urban areas live in apartments, which are in shortsupply, while (13) in rural areas usually have their own houses. Many village houses (14) owned by families who live in urban areas, who use them (15) summer and weekend retreats, or for retired parents.Most families in (16) areas do not have more than two children, while families in (17) areas tend to be larger. Grandparents play an important role in (18) care, particularly in urban areas, where most women work outside the (19) . Men of the younger generation have begun to help with household (20) , once considered only women’s responsibility. (10)处填入()
How long has the speaker been in Finland
A. To buy clothes.
B. To attend a meeting.
C. To experience the weather.
案例分析题Passage OneWhen Dance Speaks the Unspoken and No Language Is Required当舞蹈说出没有说出的话,就无需语言了A complete dancer today, is well trained in more than one discipline. The European dance scene has seen a rebirth of the influence of Spanish dance with the fusion of Flamenco and Classical Spanish Dance with other styles. The excitements of these fusions are very present in the Bay Area, which is America’s hotbed of Flamenco.This heat wave of creation, arrived last summer in Walnut Creek with the premiere concert season of Carolina Lugo’s Brisas de Espa—a Flamenco Dance Company. Carolina’s company not only presents the powerful intense energy of solo flamenco but the grace and joy of classical dances. She herself was trained in classical Spanish dance, which is a world apart from the introverted nature of flamenco, with its familiar roots of the earth. What ballet gives to both her traditions, is the physical strength of movement that seeks light and takes to the air. Perhaps, where these very different traditions flow within her blood we have the true creative force of Ms. Lugo’s work. Each tradition is like a river joining to form an even more powerful force with its own life. During a rehearsal in preparation for Brisas appearance with the Eagles, Clint Black, and Bruce Hornsby at the benefit concert for Tony La Russa’s Animal Rescue Foundation, Carolina explained her intense passion for dance. When a dancer is on stage, it goes without saying, they must be one with the music. Without this connection to the music, movement, and yourself, a dancer is only counting steps and performing routines. The heart of the dancer’s work is to embrace the audience with the depth of our lives and the fiery sensuality of dancing. The magic of performing is for the dancers and the audience to experience our fierce pride, love, happiness and tears. The art of Flamenco is the completeness of being, which the Gypsies ofSpain refer to as "duende", the possession of the sole. This quality, when it present, casts a spell over the audience and everyone becomes involved.The gift of the modern age is that with the speed of travel and communications we are able to emerge in the changes of the world’s cultures. Intemational artist Manuel Manolo Betanzos will be returning from a world tour for a month of performances and dance workshops with the company. Carolina believes that Manolo’s fused style of dance makes him one of Spain’s best dancers. He was trained in the earthy traditions of flamenco and the elegance of classical Spanish dance by many of the greatest maestros in Spain. His commanding presence on stage last summer earned him the admiration of local dance fans. Pepe Haro also from Spain will join the company as guest guitarist. His playing and musical arrangements bring power to every chord, shading and singing melodic line and above all, a rich rhythmic pulse.Exploring the emotions and feelings of flamenco has been a profound journey for Carolina. She was recently awarded a grand from the Diablo Regional Arts Association to further her own exploration of dance fusion and will collaborate for this year’s performance with Brazilian Samba Queen, Katia Vaz. Carolina will present the World Premier of Dance Without Borders (Bailes Sin Fronteras). She promises that this work will be a moment, when dance speaks the unspoken and no language is required, only the passion to dance free of limitations. Both Spanish and Brazilian music and dance are diverse and represent a vast m lange of cultural similarities and differences. The emotions of life are the fundamental pieces of both dance traditions. Carofina and Katia, will be joined by Carolina Acea, daughter of Carolina an American original whose style has been influenced by both traditions. The music will be sung both in Spanish and Portuguese by Roberto Zamora and Patricia Velasquez. Carolina explains that the artistic essence of both Flamenco and Samba is their expression of a gamut of feelings about life, embodied with an attitude. Which of the following does NOT represent Ms. Lugo’s views on dance()
A. Merging oneself into the music and movement while dancing.
B. Concentrating yourself on the music while dancing.
C. Involving the audience in your emotions while dancing.
D. Creating an experience of fierce pride, love and happiness and tears.