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(2008年)案情:肖某是甲公司的一名职员,在2006年12月17日出差时不慎摔伤,住院治疗两个多月,花费医疗费若干。甲公司认为,肖某伤后留下残疾已不适合从事原岗位的工作,于2007年4月9日解除了与肖某的劳动合同。因与公司协商无果,肖某最终于2007年11月27日向甲公司所在地的某省A市B区法院起诉,要求甲公司继续履行劳动合同并安排其工作、支付其住院期间的医疗费、营养费、护理费、住院期间公司减发的工资、公司2006年三季度优秀员工奖奖金等共计3.6万元。B区法院受理了此案。之后,肖某向与其同住一小区的B区法院法官赵某进行咨询。赵某对案件谈了几点意见,同时为肖某推荐律师李某作为其诉讼代理人,并向肖某提供了本案承办法官刘某的手机号码。肖某的律师李某联系了承办法官刘某。刘某在居住的小区花园,听取了李某对案件的法律观点,并表示其一定会依法审理此案。两天后,肖某来到法院找刘某说明案件的其他情况,刘某在法院的谈话室接待了肖某,并让书记员对他们的谈话内容进行了记录。本案经审理,一审判决甲公司继续履行合同,支付相关费用;肖某以各项费用判决数额偏低为由提起上诉。二审开庭审理时,由于一名合议庭成员突发急病住院,法院安排法官周某临时代替其参加庭审。在二审审理中,肖某提出了先予执行的申请。2008年5月12日,二审法院对该案作出了终审判决,该判决由原合议庭成员署名。履行期届满后,甲公司未履行判决书中确定的义务。肖某向法院申请强制执行,而甲公司则向法院申请再审。问题: 根据案情,甲公司可以根据何种理由申请再审?可以向何法院申请再审?甲公司申请再审时,已经开始的执行程序如何处理?

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案例分析题Question 11-21: Printmaking is the generic term for a number of processes, of which woodcut and engraving are two prime examples. Prints are made by pressing a sheet of paper (or other material) against an image-bearing surface to which ink has been applied. When the paper is removed, the image adheres to it, but in reverse. The woodcut had been used in China from the fifth century A.D. for applying patterns to textiles. The process was not introduced into Europe until the fourteenth century, first for textile decoration and then for printing on paper. Woodcuts are created by a relief process; first, the artist takes a block of wood, which has been sawed parallel to the grain, covers it with a white ground, and then draws the image in ink. The background is carved away, leaving the design area slightly raised. The woodblock is inked, and the ink adheres to the raised image. It is then transferred to damp paper either by hand or with a printing press. Engraving, which grew out of the goldsmith’s art, originated in Germany and northern Italy in the middle of the fifteenth century. It is an intaglio process (from Italian intagliare, "to carve"). The image is incised into a highly polished metal plate, usually copper, with a cutting instrument, or burin. The artist inks the plate and wipes it clean so that some ink remains in the incised grooves. An impression is made on damp paper in a printing press, with sufficient pressure being applied so that the paper picks up the ink. Both woodcut and engraving have distinctive characteristics. Engraving lends itself to subtle modeling and shading through the use of fine lines. Hatching and cross-hatching determine the degree of light and shade in a print. Woodcuts tend to be more linear, with sharper contrasts between light and dark. Printmaking is well suited to the production of multiple images. A set of multiples is called an edition. Both methods can yield several hundred good-quality prints before the original block or plate begins to show signs of wear. Mass production of prints in the sixteenth century made images available, at a lower cost, to a much broader public than before. The author’s purposes in paragraph 2 is to describe ()

A. the woodcuts found in China in the fifth century
B. the use of woodcuts in the textile industry
C. the process involved in creating a woodcut
D. the introduction of woodcuts to Europe

案例分析题Question 11-21: Printmaking is the generic term for a number of processes, of which woodcut and engraving are two prime examples. Prints are made by pressing a sheet of paper (or other material) against an image-bearing surface to which ink has been applied. When the paper is removed, the image adheres to it, but in reverse. The woodcut had been used in China from the fifth century A.D. for applying patterns to textiles. The process was not introduced into Europe until the fourteenth century, first for textile decoration and then for printing on paper. Woodcuts are created by a relief process; first, the artist takes a block of wood, which has been sawed parallel to the grain, covers it with a white ground, and then draws the image in ink. The background is carved away, leaving the design area slightly raised. The woodblock is inked, and the ink adheres to the raised image. It is then transferred to damp paper either by hand or with a printing press. Engraving, which grew out of the goldsmith’s art, originated in Germany and northern Italy in the middle of the fifteenth century. It is an intaglio process (from Italian intagliare, "to carve"). The image is incised into a highly polished metal plate, usually copper, with a cutting instrument, or burin. The artist inks the plate and wipes it clean so that some ink remains in the incised grooves. An impression is made on damp paper in a printing press, with sufficient pressure being applied so that the paper picks up the ink. Both woodcut and engraving have distinctive characteristics. Engraving lends itself to subtle modeling and shading through the use of fine lines. Hatching and cross-hatching determine the degree of light and shade in a print. Woodcuts tend to be more linear, with sharper contrasts between light and dark. Printmaking is well suited to the production of multiple images. A set of multiples is called an edition. Both methods can yield several hundred good-quality prints before the original block or plate begins to show signs of wear. Mass production of prints in the sixteenth century made images available, at a lower cost, to a much broader public than before. The word "distinctive" in line 19 is closest in meaning to()

A. unique
B. accurate
C. irregular
D. similar

左旋多巴和()合用可增强治疗帕金森病的疗效。

在计算机局域网中,将计算机连接到网络通信介质上的物理设备是_______。

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