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A.The woman didn't expect it to be so warm at noon.B.The woman is sensitive to weather

A. The woman didn't expect it to be so warm at noon.
B. The woman is sensitive to weather changes.
C. The woman's forecast was unreliable.
D. The woman turned cold all of a sudden.

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What is the main point of the second paragraph?

A. Public performance is essential to verbal art.
B. Oral narratives are a valid form. of literature.
C. Native Americans have a strong oral tradition in art.
D. The production of literature provides employment for many artists.

The cities in the United States have been the most visible sponsors and beneficiaries
of projects that place art in public places. They have shown exceptional imagination in
applying the diverse forms of contemporary art to a wide variety of purposes. The
activities observed in a number of “pioneer” cities sponsoring art in public places—a
(5) broadening exploration of public sites, an increasing awareness among both sponsors
and the public of the varieties of contemporary artistic practice, and a growing public
enthusiasm—are increasingly characteristic of cities across the country. With many
cities now undergoing renewed development, opportunities are continuously emerging
for the inclusion or art in new or renewed public environments, including buildings,
(10)plazas, parks, and transportation facilities. The result of these activities is a group of
artworks that reflect the diversity of contemporary art and the varying character and
goals of the sponsoring communities.
In sculpture, the projects range from a cartoonlike Mermaid in Miami Beach by
Roy Lichtenstein to a small forest planted in New York City by Alan Sonfist. The use
(15)of murals followed quickly upon the use of sculpture and has brought to public sites the
work of artists as different as the realist Thomas Hart Benton and the Pop artist Robert
Rauschenberg. The specialized requirements of particular urban situations have further
expanded the use of art in public places: in Memphis, sculptor Richard Hunt has created
a monument to Martin Luther King, Jr., who was slain there; in New York, Dan Flavin
(20)and Bill Brand have contributed neon and animation works to the enhancement of mass
transit facilities. And in numerous cities, art is being raised as a symbol of the
commitment to revitalize urban areas.
By continuing to sponsor projects involving a growing body of art in public places,
cities will certainly enlarge the situations in which the public encounters and grows
(25)familiar with the various forms of contemporary art. Indeed, cities are providing artists
with an opportunity to communicate with a new and broader audience. Artists are
recognizing the distinction between public and private spaces, and taking that into account
when executing their public commissions. They are working in new, often more durable
media, and on an unaccustomed scale.
What is the passage mainly about?

A. The influence of art on urban architecture in United States cities
B. The growth of public art in United States cities.
C. The increase in public appreciation of art in the United States
D. The differences between public art in Europe and the United States.

What does the author mean by stating in line 7 that “this analogy is not far off the mark”?

A. The definition is not precise.
B. The discussion lacks necessary information.
C. The differences are probably significant.
D. The comparison is quite appropriate.

Section B
Directions: There are 2 passages in this section. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A, B, C and D. You should decide on the best choice.
Communications technologies are far from equal when it comes to conveying the truth. The first study to compare honesty across a range of communications media has found that people are twice as likely to tell lies in phone conversations as they are in emails. The fact that emails are automatically recorded--and can come back to haunt(困扰) you--appears to be the key to the finding.
Jeff Hancock of Cornell University in Ithaca, New York, asked 30 students to keep a communications diary for a week. In it they noted the number of conversations or email exchanges they had lasting more than 10 minutes, and confessed to how many lies they told. Hancock then worked out the number of lies per conversation for each medium. He found that lies made up 14 per cent of emails, 21 per cent of instant messages, 27 per cent of face-to-face interactions and an astonishing 37 per cent of phone calls.
His results, to be presented at the conference on human-computer interaction in Vienna, Austria, in April have surprised psychologists. Some expected mailers to be the biggest liars, reasoning that because deception makes people uncomfortable, the detachment(非直接接触) of emailing would make it easier to lie. Others expected people to lie more in face-to-face exchanges because we are most practised at that form. of communication.
But Hancock says it is also crucial whether a conversation is being recorded and could be reread, and whether it occurs in real time. People appear to be afraid to lie when they know the communication could later be used to hold them to account, he says. This is why fewer lies appear in email than on the phone.
People are also more likely to lie in real time--in an instant message or phone call, say--than if they have time to think of a response, says Hancock. He found many lies are spontaneous(脱口而出的) responses to an unexpected demand, such as: "Do you like my dress?"
Hancock hopes his research will help companies work out the best ways for their employees to communicate. For instance, the phone might be the best medium for sales where employees are encouraged to stretch the truth. But given his results, work assessment, where honesty is a priority, might be best done using email.
Hancock's study focuses on ______.

A. the consequences of lying in various communications media
B. the success of communications technologies in conveying ideas
C. people's preferences in selecting communications technologies
D. people's honesty levels across a range of communications media

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