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简述搜集培训课程开发相关信息的步骤。

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简述岗位职务描述与培训工作的关系。

The cellphone, a device we have lived with for more than a decade, offers a good example of a popular technology"s unforeseen side effects. More than one billion are (1)_____ use around the world, and when asked, their (2)_____ say they love their phones for the safety and convenience (3)_____ provide. People also report that they are (4)_____ in their use of their phones. One opinion survey (5)_____ that "98 percent of Americans say they move away from (6)_____ when talking on a wireless phone in public" (7)_____ "86 percent say they "never" or "rarely" speak (8)_____ wireless phones" when conducting (9)_____ with clerks or bank tellers. Clearly, there exists a (10)_____ between our reported cellphone behavior and our actual behavior. Cellphone users that is to say, most of us are (11)_____ instigators and victims of this form of conversational panhandling, and it (12)_____ a cumulatively negative effect on social space. As the sociologist Erving Guttmann observed in another (13)_____, there is something deeply disturbing about people who are" (14)_____ contact" in social situations because they are blatantly refusing to (15)_____ to the norms of their immediate environment. Placing a cellphone call in public instantly transforms the strangers around you (16)_____ unwilling listeners who must cede to your use of the public (17)_____. a decidedly undemocratic effect for so democratic a technology. Listeners don"t always passively (18)_____ this situation: in recent years, people have been pepper-sprayed in movie theaters, (19)_____ from concert halls and deliberately rammed with cars as a result of (20)_____ behavior on their cellphones.

A. expressed
B. exposed
C. discovered
D. found

By the mid-sixties, blue jeans were an essential part of the wardrobe of those with a commitment to social struggle. In the American Deep South, black farmers and grandchildren of slaves still segregated from whites, continued to wear jeans in their mid-nineteenth-century sense; but now they were joined by college students-black and white-in a battle to overturn deeply embedded race hatred. The clothes of the workers became a sacred bond between them. The clothing of toil came to signify the dignity of struggle. In the student rebellion and the antiwar movement that followed, blue jeans and work shirts provided a contrast to the uniforms of the dominant culture. Jeans were the opposite of high fashion, the opposite of the suit or military uniform. With the rise of the women"s movement in the late 1960s, the political significance of dress became increasingly explicit; Rejecting orthodox sex roles, blue jeans were a woman"s weapon against uncomfortable popular fashions and the view that women should be passive. This was the cloth of action; the cloth of labor became the badge of freedom. If blue jeans were for rebels in the 1960s and early 1970s, by the 1980s they had become a foundation of fashion-available in a variety of colors, textures, fabrics, and fit. These simple pants have made the long journey "from workers" clothes to cultural revolt to status symbol." On television, in magazine advertising, on the sides of buildings and buses, jeans call out to us. Their humble past is obscured; practical roots are incorporated into a new aesthetic. Jeans are now the universal symbol of the individual and Western democracy. They are the costume of liberated women, with a fit tight enough to restrict like the harness of old-but with the look of freedom and motion. In blue jeans, fashion reveals itself as a complex world of history and change. Yet looking at fashions, in and of themselves, reveals situations that often defy understanding. Our ability to understand a specific fashion-the current one of jeans, for example-shows us that as we try to make sense of it, our confusion intensifies. It is a fashion whose very essence is contradiction and confusion. To pursue the goal of understanding is to move beyond the actual cloth itself, toward the more general phenomenon of fashion and the world in which it has risen to importance. Exploring the role of fashion within the social and political history of industrial America helps to reveal the parameters and possibilities of American society. The ultimate question is whether the development of images of rebellion into mass-produced fashions has actually resulted in social change. In the eyes of college students in the mid-nineteenth-century blue jeans symbolized______.

A. a commitment to social struggle
B. a struggle for segregation
C. the dignity of struggle
D. military uniform

The cellphone, a device we have lived with for more than a decade, offers a good example of a popular technology"s unforeseen side effects. More than one billion are (1)_____ use around the world, and when asked, their (2)_____ say they love their phones for the safety and convenience (3)_____ provide. People also report that they are (4)_____ in their use of their phones. One opinion survey (5)_____ that "98 percent of Americans say they move away from (6)_____ when talking on a wireless phone in public" (7)_____ "86 percent say they "never" or "rarely" speak (8)_____ wireless phones" when conducting (9)_____ with clerks or bank tellers. Clearly, there exists a (10)_____ between our reported cellphone behavior and our actual behavior. Cellphone users that is to say, most of us are (11)_____ instigators and victims of this form of conversational panhandling, and it (12)_____ a cumulatively negative effect on social space. As the sociologist Erving Guttmann observed in another (13)_____, there is something deeply disturbing about people who are" (14)_____ contact" in social situations because they are blatantly refusing to (15)_____ to the norms of their immediate environment. Placing a cellphone call in public instantly transforms the strangers around you (16)_____ unwilling listeners who must cede to your use of the public (17)_____. a decidedly undemocratic effect for so democratic a technology. Listeners don"t always passively (18)_____ this situation: in recent years, people have been pepper-sprayed in movie theaters, (19)_____ from concert halls and deliberately rammed with cars as a result of (20)_____ behavior on their cellphones.

A. masters
B. owners
C. holders
D. inventors

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