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There are many features that 1 a movie as American, but perhaps the most 2 is the theme of the loner-hero. In the western movie, which comes out of many 3 of the American West, a typical figure is the lonesome cowboy. He wanders into a town and 4 out its troubles. Then the strong and independent hero rides off in to the sunset 5 . Americans like this 6 in their films because they are 7 independent, and individualism 8 a great deal with them. An individual, who is able to 9 . the evils of the world, or of a small town, is someone to admire. Even the gangster movie, a very popular 10 of the typical American film, usually has a hero. 11 he is a lawman out to catch the criminals or a gangster who suddenly sees the light and tries to go 12 . During the violence-ridden period of Prohibition in the 1920s, the gangster movie 13 in popularity. These films kept the same 14 as the western-- the bad cannot triumph. One good person can save the innocent. Recent science fiction films deal 15 the same theme. Against the forces of the alien powers, people will fight to protect their ideals. Here, too, the action 16 around a single individual, 17 ...now he or she must save the world. The hero battles the unknown, trusting in inner capabilities and in the power of good 18 evil. Fearless, the hero of a typical American movie does not 19 to jump into the action. This dominant theme of the American movie is familiar 20 people around the world.
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There are many features that 1 a movie as American, but perhaps the most 2 is the theme of the loner-hero. In the western movie, which comes out of many 3 of the American West, a typical figure is the lonesome cowboy. He wanders into a town and 4 out its troubles. Then the strong and independent hero rides off in to the sunset 5 . Americans like this 6 in their films because they are 7 independent, and individualism 8 a great deal with them. An individual, who is able to 9 . the evils of the world, or of a small town, is someone to admire. Even the gangster movie, a very popular 10 of the typical American film, usually has a hero. 11 he is a lawman out to catch the criminals or a gangster who suddenly sees the light and tries to go 12 . During the violence-ridden period of Prohibition in the 1920s, the gangster movie 13 in popularity. These films kept the same 14 as the western-- the bad cannot triumph. One good person can save the innocent. Recent science fiction films deal 15 the same theme. Against the forces of the alien powers, people will fight to protect their ideals. Here, too, the action 16 around a single individual, 17 ...now he or she must save the world. The hero battles the unknown, trusting in inner capabilities and in the power of good 18 evil. Fearless, the hero of a typical American movie does not 19 to jump into the action. This dominant theme of the American movie is familiar 20 people around the world.
There are many features that 1 a movie as American, but perhaps the most 2 is the theme of the loner-hero. In the western movie, which comes out of many 3 of the American West, a typical figure is the lonesome cowboy. He wanders into a town and 4 out its troubles. Then the strong and independent hero rides off in to the sunset 5 . Americans like this 6 in their films because they are 7 independent, and individualism 8 a great deal with them. An individual, who is able to 9 . the evils of the world, or of a small town, is someone to admire. Even the gangster movie, a very popular 10 of the typical American film, usually has a hero. 11 he is a lawman out to catch the criminals or a gangster who suddenly sees the light and tries to go 12 . During the violence-ridden period of Prohibition in the 1920s, the gangster movie 13 in popularity. These films kept the same 14 as the western-- the bad cannot triumph. One good person can save the innocent. Recent science fiction films deal 15 the same theme. Against the forces of the alien powers, people will fight to protect their ideals. Here, too, the action 16 around a single individual, 17 ...now he or she must save the world. The hero battles the unknown, trusting in inner capabilities and in the power of good 18 evil. Fearless, the hero of a typical American movie does not 19 to jump into the action. This dominant theme of the American movie is familiar 20 people around the world.
There are many features that 1 a movie as American, but perhaps the most 2 is the theme of the loner-hero. In the western movie, which comes out of many 3 of the American West, a typical figure is the lonesome cowboy. He wanders into a town and 4 out its troubles. Then the strong and independent hero rides off in to the sunset 5 . Americans like this 6 in their films because they are 7 independent, and individualism 8 a great deal with them. An individual, who is able to 9 . the evils of the world, or of a small town, is someone to admire. Even the gangster movie, a very popular 10 of the typical American film, usually has a hero. 11 he is a lawman out to catch the criminals or a gangster who suddenly sees the light and tries to go 12 . During the violence-ridden period of Prohibition in the 1920s, the gangster movie 13 in popularity. These films kept the same 14 as the western-- the bad cannot triumph. One good person can save the innocent. Recent science fiction films deal 15 the same theme. Against the forces of the alien powers, people will fight to protect their ideals. Here, too, the action 16 around a single individual, 17 ...now he or she must save the world. The hero battles the unknown, trusting in inner capabilities and in the power of good 18 evil. Fearless, the hero of a typical American movie does not 19 to jump into the action. This dominant theme of the American movie is familiar 20 people around the world.
When social scientists use the term culture they tend to be talking about a less restrictive concept than that implied in everyday speech. In social science, culture is all that in human society which is socially rather than biologically transmitted, whereas the commonsense usage tends to 1 only to the arts. Culture is thus a general term for the symbolic and learned aspects of human society, although some animal behaviourists now 2 that certain primates (灵长类动物) have at least the capacity for culture. Social anthropological ideas of culture are based to a great 3 on the definition given by Edward Tylor in 1871, in which he referred to a learned complex of knowledge, belief, art, morals, law, and custom. This definition implies that culture and civilization are one and the same. But this equation, although possible in English and French usage, runs 4 to the German distinction between Kultur and Zivilisation, the former referring to symbols and values, while the latter deals with the organization of society. Archaeological usage, though 5 the wholeness of human societies, makes a distinction between material culture and practices and beliefs, the non-material or adaptive culture transmitted by teaching and tradition. Only material culture is 6 to archaeology, whereas adaptive culture is the subject of history, sociology, and anthropology. For nineteenth century anthropologists, such as Tylor and Lewis Henry Morgan, culture was a conscious creation of human rationality. Civilization and culture, in this conception, showed a progressive tendency towards what were regarded as higher moral values, and this enabled the Victorian mind to construct a 7 of cultures or civilizations which provided a rationale for colonial activities by apparently higher-order Western civilizations. In America, it is sometimes argued that the concept of culture can provide ways of explaining and understanding human behaviour, belief systems, values, and 8 , as well as particular culturally specific personality types. In cultural anthropology, analysis of culture may proceed at three levels: learned patterns of behaviour; aspects of culture that act below conscious levels (such as the deep level of grammar and 9 in language, of which a native language speaker is seldom aware); and patterns of thought and 10 , which are also culturally determined. A. ideologies I. extent B. perception J. counter C. hierarchy K. dissipate D. junk L. acknowledging E. grandeur M. teeming F. point N. accessible G. syntax O. assert H. forfeit
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