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男，26岁，两天前无明显诱因出现洗肉水样尿，乏力，无发热，无水肿，无尿道刺激征，无腰痛，查血压165.5/95mmHg，血红蛋白100g/L。 鉴别该患者洗肉水样尿来源的主要方法是
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收付实现制不考虑收入和费用的收支期间与其归属期间是否一致的问题。( )
Visitors to St. Paul Cathedral are sometimes astonished as they walk round the space under the arch to come up a statue which would appear to be that of a retired armed man meditating upon a wasted life. They are still more astonished when they see under it an inscription indicating that it represents the English writer, Samuel Johnson. The statue is by Bacon, but it is not one of his best works. The figure is, as often in eighteenth-century sculpture, clothed only in a loose robe that leaves arms, legs and one shoulder hare. But the strangeness for us is not one of costume only. If we know anything of Johnson, we know that he was constantly ill all through his life; and whether we know anything of him or not we are apt to think of a literary man as a delicate, weakly, nervous sort of person. Nothing can be further from that than the muscular statue. And in this matter the statue is perfectly right. And the fact which it reports is far from being unimportant. The body and the mind are closely interwoven in all of us, and certainly in Johnson’s case the influence of the body was extremely oblivious. His melancholy, his constantly repeated conviction of the general un-happiness of human life, was certainly the result of his constitutional infirmities. On the other hand, his courage, and his entire indifference to pain, was partly due to his great bodily strength. Perhaps the vein of rudeness, almost of fierceness, which sometimes showed itself in his conversation, was the natural tem-per of an invalid and suffering giant. That at any rate is what he was. He was the victim from childhood of a disease that resembled St. Vitus’s dance. He never knew the natural joy of a free and vigorous use of his limbs; when he walked it was like the struggling walk of one in irons. All accounts agree that his strange gestures and contortions were painful for his friends to witness and attracted crows of starters in the streets. But Reynolds says that he could sit still for his portrait to be taken, and that when his mind was engaged by a conversation the convulsions ceased. In any case, it is certain that neither this perpetual misery, nor his constant fear of losing his reason, nor his many grave attacks of illness, ever induced him to surrender the privileges that belonged to his physical strength. He justly thought no character so disagreeable as that of a chronic invalid, and was determined not to be one himself. He had known what it was to live on four pence a day and scorned the life of sofa cushions and tea into which well-attended old gentle-men so easily slip. The author says Johnson found it very difficult to walk because ______ .
Visitors to St. Paul Cathedral are sometimes astonished as they walk round the space under the arch to come up a statue which would appear to be that of a retired armed man meditating upon a wasted life. They are still more astonished when they see under it an inscription indicating that it represents the English writer, Samuel Johnson. The statue is by Bacon, but it is not one of his best works. The figure is, as often in eighteenth-century sculpture, clothed only in a loose robe that leaves arms, legs and one shoulder hare. But the strangeness for us is not one of costume only. If we know anything of Johnson, we know that he was constantly ill all through his life; and whether we know anything of him or not we are apt to think of a literary man as a delicate, weakly, nervous sort of person. Nothing can be further from that than the muscular statue. And in this matter the statue is perfectly right. And the fact which it reports is far from being unimportant. The body and the mind are closely interwoven in all of us, and certainly in Johnson’s case the influence of the body was extremely oblivious. His melancholy, his constantly repeated conviction of the general un-happiness of human life, was certainly the result of his constitutional infirmities. On the other hand, his courage, and his entire indifference to pain, was partly due to his great bodily strength. Perhaps the vein of rudeness, almost of fierceness, which sometimes showed itself in his conversation, was the natural tem-per of an invalid and suffering giant. That at any rate is what he was. He was the victim from childhood of a disease that resembled St. Vitus’s dance. He never knew the natural joy of a free and vigorous use of his limbs; when he walked it was like the struggling walk of one in irons. All accounts agree that his strange gestures and contortions were painful for his friends to witness and attracted crows of starters in the streets. But Reynolds says that he could sit still for his portrait to be taken, and that when his mind was engaged by a conversation the convulsions ceased. In any case, it is certain that neither this perpetual misery, nor his constant fear of losing his reason, nor his many grave attacks of illness, ever induced him to surrender the privileges that belonged to his physical strength. He justly thought no character so disagreeable as that of a chronic invalid, and was determined not to be one himself. He had known what it was to live on four pence a day and scorned the life of sofa cushions and tea into which well-attended old gentle-men so easily slip. "The body and the mind are closely interwoven" in Line 1, Para. 2 means ______ .
Threats from nomadic people in the north were (31) throughout Chinese history. They were continually attacking the Chinese northern (32) . With each new emperor, came endless debate about how to (33) the barbarians. There were four options. (34) offensive campaigns to drive them away or to destroy them; create defensive garrisons; develop diplomatic and (35) ties with them, or build a wall to keep them out. All the options were (36) at various times. Experience showed that (37) campaigns were too costly and very risky, (38) defensive garrisons could not respond quickly enough (39) lightning attacks along a long border. The third option would seem to be a very (40) one and it was in fact tried successfully (41) a couple of occasions. Wall building became the most favored option in many dynasties. The three dynasties which (42) the most walls were the Qin, the Han and the Ming. The effectiveness of the Great Wall in history is still a controversial (43) . Historical records show that the wall (44) at many times (45) repel invaders. Only on two occasions when a dynasty weakened from (46) were invaders from the north (47) advance and conquer. (48) , scholars think the Chinese wall builders were themselves responsible for the unrest on the border. The nomads were people who did not farm, so they (49) trade with China for many essentials. When the Chinese refused to trade with them, they had no option (50) raid border towns.
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