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Section ADirections: This section is to test your ability to understand short dialogues. There are 5 recorded dialogues in it. After each dialogue, there is a recorded question. Both the dialogues and questions will be spoken only once. When you hear a question. you should decide on the correct answer from the 4 choices marked A), B), C) and D) given in your test paper, Then you should mark the corresponding letter on the Answer Sheet with a single line through the centre.

A. To a restaurant.
B. To a gymnasium.
C. To a beach.
D. To a department store.

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TEXT C Until the end of the 18th century, it was men who lavished attention on their feet. Louis XIV wore high heeled mules to show off his shapely legs; his courtiers adorned their figures and feet with feathers, pink silk, lace, and jewels; even in colonial American, men fussed with their wigs and the bows and buttons on their shoes. The end of that foppery, called "the great renunciation" by historians, coincided with an epochal shift in politics and society, toward democracy, industry, and reason, away from the aristocracy with its affectations that spoke of rank, parasitism and, to the modem eyes, effeminacy. Women’s fashion is now, some believe, at the turning point of similar magnitude, coinciding with the equally dramatic social transformation of the past several decades. The change has been slow: a century long move away from the padding, corseting, and decoration that made a woman into a kind of ornate bauble(小摆设) and displayed her family’s wealth, and toward the clean, sleek modern lines first introduced with the suffrage movement. But the shift has accelerated in recent years, thanks to changes in the technology and business of fashion. The use by top designers of "weird, fabulous, unrecognizable synthetics," says Hollander "has ruined the status of certain fabrics, like linen, which has had a leveling effect for the sexes and for’ the classes." And the emergence of chains like Club Monaco means that "forward looking style is disseminated very fast and very cheaply," according to Valerie Steele, a historian and curator of "Shoes: A Lexicon of Style," an exhibition now on view at New York’s Fashion Institute of Technology. Such stores have succeeded, she believes, because "there’s substantial group of people with a sophisticated eye for design" who are eager for an affordable version of what was once thought to be "dog-whistle fashion," pitched so high that only a few would get it. Against that back-ground, the shoes at FIT look like fashion’s last gasp. The exhibit begins with the most symbolically loaded of women’s shoes: high heels, which Steele calls "a prime symbol of women’s sexual power over men." That same defiance of feminine expectations is visible throughout the FIT show: in the boot, for instance, with its connotations of machismo and. military power, or the androgynous oxford, made girlisl with a big chunky heel. The show ends, fittingly, with the sneaker. No longer simply a downscale kid wear item, the big, brilliantly colored, high-tech sneaker has become one of the today’s most dramatic fashion statements, asserting street hip and futuristic velocity. Maybe shoes aren’t so indifferent to the changes in modem lives, after all. The end of men’s lavish attention to fashion marks

A. great political and social changes.
B. aristocracy.
C. social ranks.
D. the great renunciation.

甲公司自行建造某项生产用大型设备,该设备由A、B、C、D四个部件组成。2010年1月,该没备达到预定可使用状态并投入使用。该设备整体预计使用年限为12年,预计净残值为零,采用年限平均法计提折旧。A、B、C、D各部件的预计使用年限分别为9年、11年、18年和16年。按照税法规定该设备采用年限平均法按8年计提折旧,预计净残值为零,其初始计税基础与会计计量相同。下列关于甲公司该设备折旧年限的确定中,正确的是( )。

A. 按照税法规定的年限8年作为其折旧年限
B. 按照整体预计使用年限12年作为其折旧年限
C. 按照A、B、C、D各部件的预计使用年限分别作为其折旧年限
D. 按照整体预计使用年限12年与税法规定的年限8年两者孰低作为其折旧年限

第一节 听下面5段对话。每段对话后有一道小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。听完每段对话后,你都有10秒钟的时间来回答有关小题和阅读下一小题。每段对话仅读一遍。 What marks did the woman get in her exam

A. 90.
B. 75.
C. 95.

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