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存货计价方法的选择只影响着资产负债表中资产总额的多少，不会影响利润表中的净利润。 ( )
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More than ten years ago, Ingmar Bergman announced that the widely acclaimed Fanny and Alexander would mark his last hurrah as a filmmaker. Although some critics had written him off as earnest but ponderous, others were saddened by the departure of an artist who had explored cinematic moods—from high tragedy to low comedy—during his four-decade career. What nobody foresaw was that Bergman would find a variety of ways to circumvent his own retirement—directing television movies, staging theater productions, and writing screenplays for other filmmakers to direct. His latest enterprise as a screenwriter, Sunday’s Children, completes a trilogy of family-oriented movies that began with Fanny and Alexander and continued with The Best Intentions written by Bergman and directed by Danish filmmaker Bille August. Besides dealing with members of Bergman’s family in bygone times—it begins a few years after The Best Intentions leaves off—the new picture was directed by Daniel Bergman, his youngest son. Although it lacks the urgency and originality of the elder Bergman’s greatest achievements, such as The Silence and Persona, it has enough visual and emotional interest to make a worthy addition to his body of work. Set in rural Sweden during the late 1920s, the story centers on a young boy named Pu, dearly modeled on Ingmar Bergman himself. Pu’s father is a country clergyman whose duties include traveling to the capital and ministering to the royal family. While this is an enviable position, it doesn’t assuage problems in the pastor’s marriage. Pu is young enough to be fairly oblivious to such difficulties, but his awareness grows with the passage of time. So do the subtle tensions that mar Pu’s own relationship with his father, whose desire to show affection and compassion is hampered by a certain stiffness in his demeanor and chilliness in his emotions. The film’s most resonant passages take place when Pu learns to see his father with new clarity while accompanying him on a cross-country trip to another parish. In a remarkable change of tone, this portion of the story is punctuated with flash-forwards to a time 40 years in the future, showing the relationship between parent and child to be dramatically reversed: The father is now cared for by the son, and desires a forgiveness for past shortcomings that the younger man resolutely refuses to grant. Brief and abrupt though they are, these scenes make a pungent contrast with the sunny landscapes and comic interludes in the early part of the movie. Sunday’s Children is a film of many levels, and all are skillfully handled by Daniel Bergman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise. While the more nostalgic sequences are photographed with an eye-dazzling beauty that occasionally threatens to become cloying, any such result is foreclosed by the jagged interruptions of the flash-forward sequences—an intrusive device that few filmmakers are agile enough to handle successfully, but that is put to impressive use by the Bergman team. Henrik Linnros gives a smartly turned performance as young Pu, and Thommy Berggren—who starred in the popular Elvira Madigan years ago—is steadily convincing as his father. Top honors go to the screenplay, though, which carries the crowded canvas of Fanny and Alexander and the emotional ambiguity of The Best Intentions into fresh and sometimes fascinating territory. From the passage we can infer that Pu’s father is portrayed as a______.
Most big corporations were once run by individual capitalists: by one shareholder with enough stock to dominate the board of directors and to dictate policy, a shareholder who was usually also the chief executive officer. Owning a majority or controlling interest, these capitalists did not have to concentrate on reshuffling assets to fight off raids from financial vikings. They were free to make a living by producing new products or by producing old products more cheaply. Just as important, they were locked into their roles. They could not very well sell out for a quick profit—dumping large stock holdings on the market would have simply depressed the stock’s price and cost them their jobs as captains of industry. So instead they sought to enhance their personal wealth by investing—by improving the long-run efficiency and productivity of the company. Today, with very few exceptions, the stock of large U. S. corporations is held by financial institutions such as pension funds, foundations, or mutual funds—not by individual shareholders. And these financial institutions cannot legally become real capitalists who control what they own. How much they can invest in any one company is limited by law, as is how actively they can intervene in company decision making. These shareholders and corporate managers have a very different agenda than dominant capitalists do, and therein lies the problem. They do not have the clout to change business decisions, corporate strategy, or incumbent managers with their voting power. They can enhance their wealth only by buying and selling shares based on what they think is going to happen to short-term profits. Minority shareholders have no choice but to be short-term traders. And since shareholders are by necessity interested only in short-term trading, it is not surprising that managers’ compensation is based not on long-term performance, but on current profits or sales. Managerial compensation packages are completely congruent with the short-run perspective of short run shareholders. Neither the manager nor the shareholder expects to be around very long. And neither has an incentive to watch out for the long term growth of the company. We need to give managers and shareholders an incentive to nurture long-term corporate growth—in other words, to work as hard at enhancing productivity and output as they now work at improving short-term profitability. According to the passage, managers and shareholders should be given______.
《合同法》规定“当事人订立合同，采取要约、承诺方式”，存款合同也必须经过这两个阶段。( )
2．新建文档WD06B.DOC，建立4行5列的表格，列宽2.8厘米，行高17磅，边框1.5磅实线，表内线0.5磅实线，为表格第1行第1列的单元格添加0.75磅的斜下框线；将表格最后1行前3列拆分为3行，后两列拆分为3列。存储为文件WD06B.DOC。
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