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What should the man give up
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Despite Denmark’s manifest virtues, Danes never talk about how proud they are to be Danes. When Danes talk to foreigners about Denmark, they always begin by commenting on its tininess, its unimportance, the difficulty of its language, the general small-mindedness and self-indulgence of their countrymen and the high taxes. It is the land of the silk safety net, where almost half the national budget goes toward smoothing out life’s inequalities, and there is plenty of money for schools, day care, retraining programs, job seminars—Danes love seminars: three days at a study centre heating about waste management is almost as good as a ski trip. It is a culture bombarded by English, in advertising, pop music, the Internet, and despite all the English that Danish absorbs—there is no Danish Academy to defend against it. It is the land where a foreigner is struck by the sweet egalitarianism that prevails. It’s a nation of recyclers—about 55 percent of Danish garbage gets made into something new—and no nuclear power plants. It’s a nation where things operate well in general. A brochure from the Ministry of Business and Industry says, "Denmark is one of the world’s cleanest and most organized countries, with virtually no pollution, crime, or poverty. Denmark is the most corruption-free society in the Northern Hemisphere." So, of course, one’s heart lifts at any sighting of Danish sleazo: skinhead graffiti on buildings ("Foreigners Out of Denmark!"), broken beer bottles in the gutters, dmnken teenagers slumped in the park. Nonetheless, it is an orderly land. However, Danes don’t think of themselves as a waiting-at-2-a, m.-for-the-green-light people. Danes see themselves as jazzy people, improvisers, more free spirited than Swedes, but the troth is that Danes are very much like Germans and Swedes. Orderliness is a main selling point. Denmark has few natural resources and limited manufacturing capability; its future in Europe will be as a broker, banker, and distributor of goods. You send your goods by container ship to Copenhagen, and these bright, young, English-speaking, utterly honest, highly disciplined people will get your goods around to Scandinavia, the Baltic States and Russia. Airports, seaports, highways and rail lines are ultramodern and well-maintained. The orderliness of the society doesn’t mean that Danish lives are less messy or lonely than yours or mine, and no Dane would tell you so. But there is a sense of entitlement and security that Danes grow up with. Certain things are yours by virtue of citizenship, and you shouldn’t feel bad for taking what you’re entitled to, you’re as good as anyone else. The rules of the welfare system are clear to everyone, the benefits you get if you lose your job,the steps you take to get a new one; and the orderliness of the system makes it possible for the country to weather high unemployment and social unrest without a sense of crisis. According to Paragraph 2, the Danish culture is ______ English.
Children are a relatively modem invention. Until a few hundred years ago they look like adult, wearing grown-up clothes and grown-up expressions, performing grown-up tasks. Children did not exist because the family as we know it had not evolved. Children today not only exist; they have taken over in no place more than in America, and at no time more than now. It is always Kids Country here. Our civilization is child-centered, child-obsessed. A kid’s body is our physical ideal. In Kids Country we do not permit middle-aged. Thirty is promoted over 50, but 30 knows that soon his time to be overtaken will come. We are the first society in which parents expect to learn from their children. Such a topsy-turvy situation has come to abort at least in part because, unlike the rest of the world, ours is an immigrant society, and for immigrants the only hope is in the kids. In the Old Country, that is, Europe, hope was in the father, and how much wealth he could accumulate and pass along to his children. In the growth pattern of America and its ever- expanding frontier, the young man was ever advised to GO WEST; the father was ever inheriting from his son. Kids Country may be the inevitable result. Kids Country is not at all bad. America is the greatest country in the world to grow up in because it is Kids Country. We not only wear kids clothes and eat kids food; we dream kids dreams and make them come tree. It was, after all, a boys’ game to go to the moon. If in the old days children did not exist, it seems equally true today that adults, as a class, have begun to disappear, condemning all of us to remain boys and girls forever, jogging and doing push-ups against eternity. The sentence "Children are a relatively modem invention" underlined in Paragraph 1 means that children ______ .
Today TV audiences all over the world are accustomed to the sight of American astronauts in tip-top condition, with fair hair, crew-cuts, good teeth, an uncomplicated sense of humour and a severely limited non-technical vocabulary. What marks out an astronaut from his earthbound fellow human beings is something of a difficult problem. Should you wish to interview him, you must apply beforehand, and you must be prepared for a longish wait, even if your application meets with success. It is, in any case, out of the question to interview an astronaut about his family life or personal activities, because all the astronauts have con- tracts with an American magazine under conditions forbidding any unauthorized disclosures about their private lives. Certain obvious qualities are needed. Any would be spaceman must be in perfect health, must have powers of concentration ( since work inside a spacecraft is exceptionally demanding) and must have considerable courage. Again, space-work calls for dedication. Courage and dedication are particularly essential. In the well-known case of the Challenger seven crew members lost their lives in space because of the faulty equipment in the shuttle. Another must is outstanding scientific expertise. It goes without saying that they all have to have professional aeronautical qualifications and experience. A striking feature of the astronauts is their ages. For the younger man, in his twenties, say, space is out. Only one of the fifty men working for NASA in 1970 was under 30. The oldest astronaut to date is Alan Shepard, America’s first man in space, who, at nearly fifty, was also the man who captained Apollo 13. The average age is the late thirties. The crew members of Apollo 11 were all born well before the Second World War. In 1986 the Challenger astronauts had an average age of 39. The range was from 35 to 46. In a society where marital continuity is not always exhibited, the astronauts’ record in this respect hits you in the eye. Of all the married men in NASA group, only two or three are divorced from their wives. Mind you, it is hard to tell whether something in the basic character of an astronaut encourages fidelity or whether the selection process demands that a candidate should be happily married. The NASA astronauts live in unattractive small communities dotted here and there around the base in Texas. You would expect them to find their friends from among their professional associates, but this is not the case. Rather, they prefer to make friends with the normal folk in their districts, A good job, too, Astronauts, like everybody else, must get fed up with talking shop all the time, and, whereas they are indeed an elite, their daily life outside work should be as normal as possible, if only for the sake of their families. As for the astronauts’ political leanings, they seem to be towards the right. This may be due to the fact that a large proportion of the astronauts have a military background. On the other hand, it could be just coincidence. Details of the private life of an astronaut are hard to come by, because they are().
Every artist knows in his heart that he is saying something to the public. Not only does he want to say it well, but he wants it to be something which has not been said before. He hopes the public will listen and understand—he wants to teach them, and he wants them to learn from him. What visual artists like painters want to teach is easy to make out but difficult to explain, because painters translate their experiences into shapes and colors, not words. They seem to feel that a certain selection of shapes and colors, out of the countless billions possible, is exceptionally interesting for them and worth showing to us. Without their work we should never have noticed these particular shapes and colors, or have felt the delight which they brought to the artist. Most artists take their shapes and colors from the world of nature and from human bodies in motion and repose; their choices indicate that these aspects of the world are worth looking at, that they contain beautiful sights. Contemporary artists might say that they merely choose subjects that provide an interesting pattern, that there is nothing more in it. Yet even they do not choose entirely without reference to the character of their subjects. If one painter chooses to paint a gangrenous leg and another a lake in moonlight, each of them is directing our attention to a certain aspect of the world. Each painter is telling us something, showing us something, emphasizing something m all of which means that, consciously or unconsciously, he is trying to teach us. Compared with a painter of unpleasant subjects, a painter who draws a lake in moonlight is ______ .
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