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二 案情：被告人：赵某，男，30岁，无业。 被告人：王某，男，15岁，无业。 被告人：洪某，男，31岁，无业。 赵某2000年因非法持有毒品罪被判3年有期徒刑。2003年赵某刑满释放。之后，赵某染上毒瘾。因一直没有正当工作，赵某总是处于吃了上顿断下顿的状况。2004年的某日，赵某听说毒贩洪某新进了一批海洛因，便起了“黑吃黑”的念头。当晚，赵携带其购买的仿真枪一支，潜入洪某的住处。入夜后，洪某回家。一进门，赵某即用仿真枪抵住洪某脑袋，对洪某进行殴打，之后对洪某说：“听说你新吃进了一批白粉。见者有份，也给我分点。”洪某一听赶忙说：“有事好商量。如果大哥喜欢那东西，小弟我悉数奉上，孝敬大哥就是。”后洪某打开保险柜，从里边拿出一包“白粉”(约有250克重)交给赵某。见“白粉”顺利到手，赵某便离去，经鉴定，洪某构成轻伤。 回到住处后，赵某打开枪来的“白粉”一尝，即大呼上当，原来洪某早就担心有一天被同道抢劫，一直用一包头痛药冒充海洛因备用，他交给赵某的只不过是一包头痛粉而已。赵某眼见发财梦将破，心有不甘，遂又生一计。他连夜将其手下马仔王某叫来，对王某说：“你不是一直想发大财吗现在机会来了。这玩意是白色黄金，值大钱了，你帮我出去卖，卖到钱分你三成。”王某一听大喜，满口答应。二人遂将“海洛因”分成若干小包。接下来的几天，王某天天出去推销。到案发时，已卖出“海洛因”近20克。公安机关另查明，洪某曾让王某帮其出售真的海洛因50多克。 问题：1.赵某抢劫洪某假毒品的行为是否构成犯罪
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Aesthetic thought of a distinctively modem bent emerged during the 18th century. The western philosophers of this time devoted much attention to such matters (31) natural beauty and representation. (32) that time, however, the philosophy of art has become ever more (33) and has begun to (34) the philosophy of nature. Various issues (35) to the philosophy of art have had a (36) impact (37) the orientation of 20th century aesthetics. (38) among these are problems relating to the theory of art as form and (39) the distinction between representation end expression. Still another question has to do with the value of art. Two opposing theoretical positions (40) on this issue: one holds that art and its appreciation are a means to some recognized moral good, (41) the other maintains that art is intrinsically valuable end is an end in itself. Underlying this whole issue is the concept of taste. In recent years there has also been an increasing (42) with art as the prime object of critical judgment. Corresponding to the trend in contemporary aesthetic thought, (43) have followed (44) of two approaches. In one, criticism is restricted to the analysis end interpretation of the work of art. (45) , it is devoted to articulating the response to the aesthetic object and to (46) a particular way of perceiving it. Over the years, aesthetics has developed into a broad field of knowledge end inquiry. The concerns of contemporary aesthetics include such (47) problems as the nature of style and its aesthetic significance; the relation of aesthetic judgment to culture; the (48) of a history of art; the (49) of Freudian psychology and other forms of psychological study to criticism; and the place of aesthetic judgment in practical (50) in the conduct of everyday affairs.
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