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In terms of the social implication of “race”, E. Ellis Cashmore discusses the term as a way of socially classifying groups of people due to physical and psychological markers.

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The opening of Shutter Island indicates Teddy will fulfill the role of the rational phallocentric investigator.

In Vertigo, Mulvey writes, there is a very objective camera. The narrative is from Scottie’s point view except for one flashback. The audience gets the obsession and eventual despair from him.

In the psychoanalytic imagination, a woman exists only as a “bleeding wound”.

Filmmakers sometimes use fragmentary reflections in mirrors to show individuals struggling.

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