题目内容

In this section, you will hear two interviews. Each interview will be read only once. At the end of each interview, there will be a pause. During the pause, read the questions, each with three choices marked A, B and C, and decide which is the best answer. Then mark the corresponding letter on the answer sheet with a single line through the centre. Interview One The registration number of the robber’ s van could possibly be ______.

A. BWV 593S
BVW 593H
C. BWV 593A

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应考虑诊断为

A. 风湿热
B. 类风湿热
C. 病毒性心肌炎
D. 先心病合并感染
E. 败血症

CRB550表示抗拉强度不小于550MPa的冷轧带肋钢筋。( )

A. 对
B. 错

冷拉钢筋表面可有浮锈,但不得有锈皮及目视可见的麻坑等腐蚀现象。( )

A. 对
B. 错

Section A There is one passage in this section followed by five questions. For each question, there are four choices marked A, B, C and D. You should decide on the best choice, then mark the corresponding letter on the answer sheet with a single line through the centre. If art seeks to divorce itself from meaningful and associative images, if it holds material alone as its objective, then I think that the material itself ought to have the greatest possible plasticity, the greatest potentialities for the development of shapes and the creating of relationships. For that reason I think that the sculpture which has been created with a view to being form alone has been a great deal more successful and interesting than has been the painting in that vein. The sculptor sets out with two pre-existing advantages: one, that he must have craftsmanship, and the other, that he works in the round. He does not have to stimulate depth nor create illusions of depth because he works in volume—in three-dimensional form. Thus Noguchi, working in marble, is able to develop relationships in three-dimensions rather than two and yet retain both simplicity and unity. He has at his disposal the advantages of light and space, and the natural translucence and glow of marble, all of which he exploits and reveals with great elegance. Henry Moore is one of the great contemporary imaginers who has brought new materials and new concepts into sculptural form. He discovers the naturally heroic character of bronze and exploits feelingly the graining and fine surfaces of wood. Undoubtedly his most remarkable feat has been the surrounding of open space and his use of such space as a sculptural material. But beauty and craft and idea are still paramount with Moore and he never obliterates these qualities in the shock of the new. Questions: Why, according to the passage, is marble good for sculpture as different form other materials

A. It is three-dimensional.
B. It is readily available.
C. It has simplicity and unity.
D. It has translucent and glowing qualities.

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