题目内容

Please write an argumentation based on the following topic and elaborate your point of view in about 200 words. Remember to write your composition neatly and clearly on ANSWER SHEET II. Some people trust their first impressions about a person’s character because they believe these judgments are generally correct. Other people do not judge a person’s character quickly because they believe first impressions are wrong. Compare these two attitudes. Which of them do you agree with Support your choice with specific examples.

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下列关于神经纤维兴奋传导特征的描述，正确的是

A. 只能从胞体至末梢单向传导
B. 神经干中各纤维之间互不干扰
C. 只要结构完整就能正常传导兴奋
D. 不受内环境因素变化的影响

A number of books like Reading Faces and Body Language have【C1】the individual’s tendency to broadcast things through all manner of【C2】movement and facial gymnastics. Such matters, made widely familiar by pop sociology, anthropology and psychology, have become the stuff of common conversation. Michael Korda’s Power! How to Get It, How to Use It, is mainly a primer in how to【C3】others by a cold-blooded control of【C4】signals that occur commonly in the workaday world: for example, how executives signal their style of power【C5】the clothes they choose and the way they【C6】their office furniture. 【C7】work or play, everybody emits wordless signals of infinite variety. Overt, like a warm smile. Spontaneous, like a【C8】eyebrow Involuntary, like leaning away from a salesperson to【C9】a deal. Says Julius Fast in Body Language: "We rub our noses for puzzlement. We【C10】our arms to【C11】ourselves or to protect ourselves. We【C12】our shoulders for indifference." Any competent psychiatrist remains alert to the expressions by which a patient’s hidden emotions make【C13】known. People even signal by the odors they【C14】, as Janet Hopson【C15】in superfluous detail in Scent Signals: The Silent Language of Sex. Actually, it is impossible for an individual to【C16】signaling other people; the person who mutely【C17】human intercourse sends out an unmistakable signal in the form of utter silence. Sociologist Dane Arche calls reading such signals "social intelligence." He said, "We must unshackle ourselves from the tendency to ignore silent behavior and to prefer words【C18】everything else." The evidence all over is that【C19】people wander the earth through thickets of verbiages, many, perhaps most, do pay more attention to wordless signals and are more likely to be influenced and【C20】by nonverbal messages. 【C16】

A. permeate
B. avoid
C. reckon
D. ignore

A number of books like Reading Faces and Body Language have【C1】the individual’s tendency to broadcast things through all manner of【C2】movement and facial gymnastics. Such matters, made widely familiar by pop sociology, anthropology and psychology, have become the stuff of common conversation. Michael Korda’s Power! How to Get It, How to Use It, is mainly a primer in how to【C3】others by a cold-blooded control of【C4】signals that occur commonly in the workaday world: for example, how executives signal their style of power【C5】the clothes they choose and the way they【C6】their office furniture. 【C7】work or play, everybody emits wordless signals of infinite variety. Overt, like a warm smile. Spontaneous, like a【C8】eyebrow Involuntary, like leaning away from a salesperson to【C9】a deal. Says Julius Fast in Body Language: "We rub our noses for puzzlement. We【C10】our arms to【C11】ourselves or to protect ourselves. We【C12】our shoulders for indifference." Any competent psychiatrist remains alert to the expressions by which a patient’s hidden emotions make【C13】known. People even signal by the odors they【C14】, as Janet Hopson【C15】in superfluous detail in Scent Signals: The Silent Language of Sex. Actually, it is impossible for an individual to【C16】signaling other people; the person who mutely【C17】human intercourse sends out an unmistakable signal in the form of utter silence. Sociologist Dane Arche calls reading such signals "social intelligence." He said, "We must unshackle ourselves from the tendency to ignore silent behavior and to prefer words【C18】everything else." The evidence all over is that【C19】people wander the earth through thickets of verbiages, many, perhaps most, do pay more attention to wordless signals and are more likely to be influenced and【C20】by nonverbal messages. 【C19】

A. before
B. though
C. while
D. whether

A number of books like Reading Faces and Body Language have【C1】the individual’s tendency to broadcast things through all manner of【C2】movement and facial gymnastics. Such matters, made widely familiar by pop sociology, anthropology and psychology, have become the stuff of common conversation. Michael Korda’s Power! How to Get It, How to Use It, is mainly a primer in how to【C3】others by a cold-blooded control of【C4】signals that occur commonly in the workaday world: for example, how executives signal their style of power【C5】the clothes they choose and the way they【C6】their office furniture. 【C7】work or play, everybody emits wordless signals of infinite variety. Overt, like a warm smile. Spontaneous, like a【C8】eyebrow Involuntary, like leaning away from a salesperson to【C9】a deal. Says Julius Fast in Body Language: "We rub our noses for puzzlement. We【C10】our arms to【C11】ourselves or to protect ourselves. We【C12】our shoulders for indifference." Any competent psychiatrist remains alert to the expressions by which a patient’s hidden emotions make【C13】known. People even signal by the odors they【C14】, as Janet Hopson【C15】in superfluous detail in Scent Signals: The Silent Language of Sex. Actually, it is impossible for an individual to【C16】signaling other people; the person who mutely【C17】human intercourse sends out an unmistakable signal in the form of utter silence. Sociologist Dane Arche calls reading such signals "social intelligence." He said, "We must unshackle ourselves from the tendency to ignore silent behavior and to prefer words【C18】everything else." The evidence all over is that【C19】people wander the earth through thickets of verbiages, many, perhaps most, do pay more attention to wordless signals and are more likely to be influenced and【C20】by nonverbal messages. 【C15】

A. documents
B. preaches
C. describes
D. dramatizes