题目内容
A child who has once been pleased with tale likes, as a rule, to have it retold in identically the same words, but this should not led parents to treat printed fairy stories as sacred texts. It is always much better to tell a story than read it (41) of a book, and, if a parent can produce (42) in the actual circumstances of the time and the individual child, is an improvement on the printed text, so much the better. A charge made against fairy tales is that they harm the child by frightening him or arousing his sadistic impulses. To prove the (43) , one would have to show in a controlled experiment that children who have read fairy stories were more often guilty of cruelty than those who had not. Aggressive, destructive, sadistic impulses every child has and, (44) the whole, their symbolic verbal discharge deems to be rather a safety valve than an incitement to overt action. As to fears, there are, I think, well-authenticated cases of children (45) dangerously terrified by some fairy story. Often, however, this arises from the child having heard the story once. Familiarity with the story by repetition turns the pain of fear (46) the pleasure of a fear face and mastered. There are also people who object to fairy stories on the grounds (47) they are not objectively true, that giants, witches, two-headed dragons, magic carpets, etc, do not exist, and that, instead of indulging, his fantasies (48) fairy tales, the child should be taught how to adapt to reality by studying history and mechanics. I find such people, I must confess, so unsympathetic and peculiar that I do not know how to argue with them. If their cases (49) sound there should be full of madmen attempting to fly from New York to Philadelphia on broomstick (50) covering a telephone with kissed in the belief that it was their enchanted girl- friend. No fairy story ever claimed to be a description of the external world and no such child ever believed that it was.
查看答案
搜索结果不匹配？点我反馈
更多问题
Directions：This part is to test your listening ability．It consists of 3 sections． Section A Directions：This section is to test your ability to understand short dialogues．There are 5 recorded dialogues in it．After each dialogue，there is a recorded question．Both the dialogues and questions will be spoken only once．When you hear a question，you should decide on the correct answer from the 4 choices marked A)，B)，C) and D) given in your test paper．
It is one of the world’s most recognized phrased, one you might even hear in places where little English is spoken: "The name’s Bond, James Bond". I’ve heard it from a taxi driver in Ghana and a street sweeper in Paris, and I remember the thrill of hearing Sean Connery say it in the first Bond film I saw, Gold Finger. I was a Chicago schoolgirl when it was released in 1904. The image of a candy-coloured London filled with witty people stately old buildings and a gorgeous, ice-cool hero instilled in me a deep-rooted belief that Britain was OK. When Fan Fleming created the man with the license to kill, based on his own experiences while working for the British secret service in World War II, he couldn’t have imagined that his fictional Englishman would not only shake, but stir the entire world. Even world-weary actors are thrilled at being in a Bond movie. Christopher Walkon, everyone’s favorite screen psycho, who played mad genius Max Zorin in 1985’s A View to a Kill, gushed: "I remember first seeing DJ’No when I was 15. I remember Robert Shaw trying to strangle James Bond in from Russia with love. And now here I am trying to kill James Bond myself." Bond is the complete entertainment package: he has hot and cold running women on tap dastardly villains bent on complete world domination, and America always plays second string to cool, sophisticated Britain. Bond’s England only really existed in the adventures of Bulldog Drummond, the wartime speeches of Winston Churchill and the songs of Dame Vera Lynn. When Fleming started to write his spy stories, the world knew that, while Britain was victorious in the war against Hitler, it was depleted as a result. London was bombed out, a dark and grubby place, while America was now the only place to be. It was America that was producing such universal icons as Gary Cooper’s cowboy in High Noon ("A man’s got to do what a man’s got to do"); the one-man music revolution that was Elvis Presley: Marilyn Monroe, the walking, talking male fantasy married to Joe DiMaggio, then the most famous athlete in the world. Against this reality, Fleming had the nerve and arrogance to say that, while hot dogs and popcorn were fine, other things were more important. And those things were uniquely British: quiet competence, unsentimental ruthlessness, clear-eyed, steely determination, an ironic sense of humour and doing a job well. All qualities epitomized by James Bond. Of course, Bond was always more fairytale than fact, but what else is a film for No expense is spared in production, the lead is suave and handsome, and the hardware is always awesome. In the latest film, the gadgets include a surfboard with concealed weapons, a combat knife with global positioning system beacon, a watch that doubles as a laser-beam cutter, an Aston Martin VI2 Vanquish with all the optional extras you’ve come to expect, a personal jet glider.., the list is endless. There are those who are disgusted by the Bond films unbridled glorification of the evils of sexism, racism, ageism and extreme violence, but it’s never that simple. Which of the following statements is TRUE
One of the most authoritative voices speaking to us today is, of course, the voice of the advertisers. Its striking clamor dominates our lives. It shots at us from the television screen and the radio loudspeakers, waves to us from every page of the newspaper picks at our sleeves on the escalator, signals to us from the roadside billboards all day and flashes messages to us in coloured lights all night. It has forced on us a whole new conception of the successful man as a man no less than 20 % of whose mail consists of announcements of giant carpet sales. Advertising has been among England’s biggest growth industries since the war, in terms of the ratio of money earnings to demonstrable achievement. Why all this fantastic expenditure Perhaps the answers is that advertising saves the manufactures from having to think about the customer. At the stage of designing and developing a product, there is quite enough to think about without worrying over whether anybody will want to buy it. The designer is busy enough without adding customer--appeal to all his other problems of man--hours and machine tolerances and stress factors. So they just go ahead and make the thing and leave it to the advertiser to find olevon ways of making it appeal to purchasers after they have finished it, by pretending that it confers status, or attracts love, or signifies manliness, if the advertising agency can do this authoritatively enough, the manufacturer is clever. Other manufacturers find advertising saves them changing their product. And manufacturers hate change. The ideal product is one which goes on unchanged forever. If therefore, for one reason or another, some alteration seems called for how much better to change the image, the packet or tile pitch made by the product, rather than go to all the inconvenience of changing the product itself. The advertising man has to combine the qualities of the three most authoritative professions. Church, Bar, and Medicine, The great skill required of our priests, most highly developed in missionaries but present, indeed mandatory, in all, is the kill of getting people to believe in and contribute money to something which can never be logically proved. At the Bar an essential ability is that of presenting the most persuasive case you can to a jury of ordinary people, with emotional appeals masquerading as logical exposition, a case you do not necessarily have to believe in yourself, just one you have studiously avoided discovering to be false. As for medicine, any doctor will confirm that a large part of his job is not clinical treatment but faith healing. Ellis apparently scientific approach enables his nations believe that he knows exactly what is wrong with them and exactly what they need to put them right, just as advertising does "Run down You need..." "No one will dance with you A dab will make you popular." Advertising men use statistics rather like a drunk used a lamp-post for support rather than illumination. They will dress anyone up in a white coat to appear like an unimpeachable authority or failing that, they will even be happy with the announcement, "As used by 90% of the actors who play doctors on television." Their engaging quality is that they enjoy having their latest ruses uncovered almost as much as anyone else. The following statements are TRUE except ______.
It is one of the world’s most recognized phrased, one you might even hear in places where little English is spoken: "The name’s Bond, James Bond". I’ve heard it from a taxi driver in Ghana and a street sweeper in Paris, and I remember the thrill of hearing Sean Connery say it in the first Bond film I saw, Gold Finger. I was a Chicago schoolgirl when it was released in 1904. The image of a candy-coloured London filled with witty people stately old buildings and a gorgeous, ice-cool hero instilled in me a deep-rooted belief that Britain was OK. When Fan Fleming created the man with the license to kill, based on his own experiences while working for the British secret service in World War II, he couldn’t have imagined that his fictional Englishman would not only shake, but stir the entire world. Even world-weary actors are thrilled at being in a Bond movie. Christopher Walkon, everyone’s favorite screen psycho, who played mad genius Max Zorin in 1985’s A View to a Kill, gushed: "I remember first seeing DJ’No when I was 15. I remember Robert Shaw trying to strangle James Bond in from Russia with love. And now here I am trying to kill James Bond myself." Bond is the complete entertainment package: he has hot and cold running women on tap dastardly villains bent on complete world domination, and America always plays second string to cool, sophisticated Britain. Bond’s England only really existed in the adventures of Bulldog Drummond, the wartime speeches of Winston Churchill and the songs of Dame Vera Lynn. When Fleming started to write his spy stories, the world knew that, while Britain was victorious in the war against Hitler, it was depleted as a result. London was bombed out, a dark and grubby place, while America was now the only place to be. It was America that was producing such universal icons as Gary Cooper’s cowboy in High Noon ("A man’s got to do what a man’s got to do"); the one-man music revolution that was Elvis Presley: Marilyn Monroe, the walking, talking male fantasy married to Joe DiMaggio, then the most famous athlete in the world. Against this reality, Fleming had the nerve and arrogance to say that, while hot dogs and popcorn were fine, other things were more important. And those things were uniquely British: quiet competence, unsentimental ruthlessness, clear-eyed, steely determination, an ironic sense of humour and doing a job well. All qualities epitomized by James Bond. Of course, Bond was always more fairytale than fact, but what else is a film for No expense is spared in production, the lead is suave and handsome, and the hardware is always awesome. In the latest film, the gadgets include a surfboard with concealed weapons, a combat knife with global positioning system beacon, a watch that doubles as a laser-beam cutter, an Aston Martin VI2 Vanquish with all the optional extras you’ve come to expect, a personal jet glider.., the list is endless. There are those who are disgusted by the Bond films unbridled glorification of the evils of sexism, racism, ageism and extreme violence, but it’s never that simple. Judging by the context, the word "stately" in the first paragraph means ______.
微信支付 
支付宝支付